
Montana Agate vs Red Cent
Montana Agate (Benjamin Moore) and Red Cent (Sherwin-Williams) come from different manufacturers. These are both beige-pinks, so the question isn't which hue to choose — it's where within beige-pink to land. The 3-point LRV gap — 22 for Montana Agate vs 19 for Red Cent — means Montana Agate will open up a space more effectively. Where Montana Agate leans red, Red Cent reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 3.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Montana Agate vs Red Cent Simulated Comparison
5 simulated room previews — drag the slider on each to see Montana Agate on one side and Red Cent on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Montana Agate comparisons
See how Montana Agate stacks up against other well-photographed colors across different brands and tones.

Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Montana Agate encloses it.


At LRV 83 vs 22, White Dove is decisively the brighter choice.

At LRV 22 vs 6, Montana Agate is decisively the brighter choice.

Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Montana Agate encloses it.

Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.

At LRV 52 vs 22, Mizzle is decisively the brighter choice.

Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Montana Agate encloses it.

At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.

A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.

French Gray reflects far more light (LRV 43 vs 22), opening up a space where Montana Agate encloses it.

Montana Agate reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.

At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.

A 9-point LRV gap (22 vs 13) makes Montana Agate the marginally brighter of the two.

At LRV 44 vs 22, Hardwick White is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 22), opening up a space where Montana Agate encloses it.

With LRVs of 22 and 21, the two reflect almost the same amount of light.

At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.

At LRV 74 vs 22, Shoji White is decisively the brighter choice.

At LRV 83 vs 22, Snowbound is decisively the brighter choice.

Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Montana Agate encloses it.

A 10-point LRV gap (22 vs 12) makes Montana Agate the marginally brighter of the two.

At LRV 22 vs 8, Montana Agate is decisively the brighter choice.

At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.

Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Montana Agate encloses it.

A 10-point LRV gap (22 vs 12) makes Montana Agate the marginally brighter of the two.

At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.

Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.













