Mt. Rainier Gray vs Sparkling Wine
Both from Benjamin Moore's palette. Mt. Rainier Gray reads as blue-grey, while Sparkling Wine reads as beige — two distinct hue families, not close cousins. Sparkling Wine (LRV 75) reflects noticeably more light than Mt. Rainier Gray (LRV 59), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Mt. Rainier Gray runs blue while Sparkling Wine is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 17.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Mt. Rainier Gray vs Sparkling Wine Simulated Comparison
5 simulated room previews — drag the slider on each to see Mt. Rainier Gray on one side and Sparkling Wine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Mt. Rainier Gray comparisons
See how Mt. Rainier Gray stacks up against other well-photographed colors across different brands and tones.
A 9-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Mt. Rainier Gray encloses it.
Mt. Rainier Gray reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
A 8-point LRV gap (59 vs 52) makes Mt. Rainier Gray the marginally brighter of the two.
At LRV 59 vs 30, Mt. Rainier Gray is decisively the brighter choice.
Mt. Rainier Gray reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Mt. Rainier Gray reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Mt. Rainier Gray is decisively the brighter choice.
At LRV 59 vs 4, Mt. Rainier Gray is decisively the brighter choice.
Mt. Rainier Gray reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Mt. Rainier Gray reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Mt. Rainier Gray reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Mt. Rainier Gray is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Mt. Rainier Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Mt. Rainier Gray encloses it.
A 9-point LRV gap (59 vs 51) makes Mt. Rainier Gray the marginally brighter of the two.
Mt. Rainier Gray reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Mt. Rainier Gray reflects far more light (LRV 59 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Mt. Rainier Gray is decisively the brighter choice.
Mt. Rainier Gray reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Mt. Rainier Gray reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Mt. Rainier Gray is decisively the brighter choice.