Muslin vs Calamine
Muslin is a Benjamin Moore color while Calamine comes from Farrow & Ball. Muslin reads as beige, while Calamine reads as pink-red — two distinct hue families, not close cousins. With LRVs of 67 and 68, they'll behave almost identically in terms of how much light they reflect back into a room. The tonal difference — Muslin's red character against Calamine's warm — becomes most visible against white trim or in morning light. At ΔE 8.6, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Muslin vs Calamine in Real Spaces
5 real rooms side by side. Muslin and Calamine are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Muslin vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Muslin on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Muslin comparisons
See how Muslin stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 67, White Dove is decisively the brighter choice.
Muslin reflects far more light (LRV 67 vs 52), opening up a space where Purbeck Stone encloses it.
Muslin reflects far more light (LRV 67 vs 30), opening up a space where Evergreen Fog encloses it.
Muslin reads slightly lighter (LRV 67 vs 60), a gap that shows most in low-lit rooms.
A 9-point LRV gap (67 vs 58) makes Muslin the marginally brighter of the two.
At LRV 67 vs 27, Muslin is decisively the brighter choice.
Muslin reflects far more light (LRV 67 vs 43), opening up a space where French Gray encloses it.
A 12-point LRV gap (67 vs 55) makes Muslin the marginally brighter of the two.
At LRV 67 vs 44, Muslin is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 67), opening up a space where Muslin encloses it.
Their light reflectance is nearly identical (LRV 67 vs 66), so neither reads brighter in a room.
A 8-point LRV gap (74 vs 67) makes Shoji White the marginally brighter of the two.
At LRV 67 vs 12, Muslin is decisively the brighter choice.
At LRV 67 vs 8, Muslin is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 67), so neither reads brighter in a room.
At LRV 67 vs 12, Muslin is decisively the brighter choice.
At LRV 67 vs 45, Muslin is decisively the brighter choice.
Muslin reflects far more light (LRV 67 vs 31), opening up a space where Pale Green encloses it.