Nimbus vs Mizzle
Nimbus is a Benjamin Moore color while Mizzle comes from Farrow & Ball. Nimbus reads as greige-grey, while Mizzle reads as grey — two distinct hue families, not close cousins. At LRV 59 vs 52, Nimbus will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. The tonal difference — Nimbus's yellow and red character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 5.9, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Nimbus vs Mizzle in Real Spaces
3 real rooms side by side. Nimbus and Mizzle are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Nimbus has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Nimbus gives the walls a little more lift.
Color Details
Nimbus vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Nimbus on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Nimbus comparisons
See how Nimbus stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 59, White Dove is decisively the brighter choice.
Nimbus reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Nimbus reflects far more light (LRV 59 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 60 and 59, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 59 vs 58), so neither reads brighter in a room.
At LRV 59 vs 27, Nimbus is decisively the brighter choice.
Nimbus reflects far more light (LRV 59 vs 43), opening up a space where French Gray encloses it.
A 4-point LRV gap (59 vs 55) makes Nimbus the marginally brighter of the two.
At LRV 59 vs 44, Nimbus is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 59), opening up a space where Nimbus encloses it.
A 6-point LRV gap (66 vs 59) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 59, Shoji White is decisively the brighter choice.
At LRV 59 vs 12, Nimbus is decisively the brighter choice.
A 9-point LRV gap (68 vs 59) makes Skimming Stone the marginally brighter of the two.
At LRV 59 vs 12, Nimbus is decisively the brighter choice.
At LRV 59 vs 45, Nimbus is decisively the brighter choice.
Nimbus reflects far more light (LRV 59 vs 31), opening up a space where Pale Green encloses it.
Nimbus reflects far more light (LRV 59 vs 7), opening up a space where Pine Needle encloses it.
Nimbus reflects far more light (LRV 59 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 59 and 57, the two reflect almost the same amount of light.
Just Walnut reflects far more light (LRV 72 vs 59), opening up a space where Nimbus encloses it.