Oilcloth vs Shoji White
Where Oilcloth belongs to Benjamin Moore's range, Shoji White is a Sherwin-Williams color. Hue-wise, Oilcloth belongs to the grey family and Shoji White to the beige-greige family. Shoji White (LRV 74) reflects noticeably more light than Oilcloth (LRV 35), a difference of 39 points that becomes especially apparent in rooms with limited natural light. Oilcloth runs yellow while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 23.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Oilcloth vs Shoji White in Real Spaces
5 real rooms side by side. Seeing Oilcloth and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Oilcloth would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Shoji White reflects noticeably more light off the walls, making the space read more open than Oilcloth.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Shoji White reflects noticeably more light off the walls, making the space read more open than Oilcloth.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Shoji White reflects noticeably more light off the walls, making the space read more open than Oilcloth.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Shoji White reflects noticeably more light off the walls, making the space read more open than Oilcloth.
Color Details
Oilcloth vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Oilcloth on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Oilcloth comparisons
See how Oilcloth stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 35, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 35), opening up a space where Oilcloth encloses it.
Oilcloth reads slightly lighter (LRV 35 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 35), opening up a space where Oilcloth encloses it.
At LRV 58 vs 35, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (35 vs 27) makes Oilcloth the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 35), a gap that shows most in low-lit rooms.
At LRV 55 vs 35, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (44 vs 35) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 35), opening up a space where Oilcloth encloses it.
At LRV 66 vs 35, Balboa Mist is decisively the brighter choice.
At LRV 35 vs 12, Oilcloth is decisively the brighter choice.
At LRV 68 vs 35, Skimming Stone is decisively the brighter choice.
At LRV 35 vs 12, Oilcloth is decisively the brighter choice.
A 10-point LRV gap (45 vs 35) makes Saybrook Sage the marginally brighter of the two.
Oilcloth reads slightly lighter (LRV 35 vs 31), a gap that shows most in low-lit rooms.
Oilcloth reflects far more light (LRV 35 vs 7), opening up a space where Pine Needle encloses it.
Oilcloth reads slightly lighter (LRV 35 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 35), opening up a space where Oilcloth encloses it.
Just Walnut reflects far more light (LRV 72 vs 35), opening up a space where Oilcloth encloses it.