Old Blue Jeans vs Agreeable Gray
Where Old Blue Jeans belongs to Benjamin Moore's range, Agreeable Gray is a Sherwin-Williams color. Old Blue Jeans reads as blue, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. Agreeable Gray (LRV 60) reflects noticeably more light than Old Blue Jeans (LRV 25), a difference of 35 points that becomes especially apparent in rooms with limited natural light. Old Blue Jeans runs blue while Agreeable Gray is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 35.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Old Blue Jeans vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Blue Jeans on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Blue Jeans comparisons
See how Old Blue Jeans stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 25), opening up a space where Old Blue Jeans encloses it.
At LRV 83 vs 25, White Dove is decisively the brighter choice.
At LRV 25 vs 6, Old Blue Jeans is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 25), opening up a space where Old Blue Jeans encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
At LRV 52 vs 25, Mizzle is decisively the brighter choice.
At LRV 58 vs 25, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 27 vs 25), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 25), opening up a space where Old Blue Jeans encloses it.
Old Blue Jeans reflects far more light (LRV 25 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 25, Tranquil Dawn is decisively the brighter choice.
At LRV 25 vs 13, Old Blue Jeans is decisively the brighter choice.
At LRV 44 vs 25, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 25), opening up a space where Old Blue Jeans encloses it.
Old Blue Jeans reads slightly lighter (LRV 25 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 25, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 25, Shoji White is decisively the brighter choice.
At LRV 83 vs 25, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 25), opening up a space where Old Blue Jeans encloses it.
At LRV 25 vs 12, Old Blue Jeans is decisively the brighter choice.
At LRV 25 vs 8, Old Blue Jeans is decisively the brighter choice.
At LRV 68 vs 25, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 25), opening up a space where Old Blue Jeans encloses it.
At LRV 25 vs 12, Old Blue Jeans is decisively the brighter choice.
At LRV 45 vs 25, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
Old Blue Jeans reflects far more light (LRV 25 vs 7), opening up a space where Pine Needle encloses it.