Old Glory vs Treron
Where Old Glory belongs to Benjamin Moore's range, Treron is a Farrow & Ball color. Old Glory reads as blue, while Treron reads as greige-grey — two distinct hue families, not close cousins. Treron (LRV 25) reflects noticeably more light than Old Glory (LRV 16), a difference of 9 points that becomes especially apparent in rooms with limited natural light. Old Glory runs blue while Treron is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 43.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Old Glory vs Treron Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Glory on one side and Treron on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Glory comparisons
See how Old Glory stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 16), opening up a space where Old Glory encloses it.
At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Old Glory encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.
At LRV 43 vs 16, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Old Glory encloses it.
Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Old Glory encloses it.
At LRV 84 vs 16, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Old Glory encloses it.
Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Old Glory encloses it.
Old Glory reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Old Glory encloses it.
Old Glory reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Old Glory encloses it.
At LRV 31 vs 16, Pale Green is decisively the brighter choice.
A 9-point LRV gap (16 vs 7) makes Old Glory the marginally brighter of the two.
A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 16, Guilford Green is decisively the brighter choice.
At LRV 72 vs 16, Just Walnut is decisively the brighter choice.