Old Prairie vs Ammonite
Old Prairie (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. The 3-point LRV gap — 72 for Old Prairie vs 69 for Ammonite — means Old Prairie will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 4.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Old Prairie vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Prairie on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Prairie comparisons
See how Old Prairie stacks up against other well-photographed colors across different brands and tones.

A 11-point LRV gap (83 vs 72) makes White Dove the marginally brighter of the two.

At LRV 72 vs 6, Old Prairie is decisively the brighter choice.

Old Prairie reflects far more light (LRV 72 vs 52), opening up a space where Purbeck Stone encloses it.

Old Prairie reflects far more light (LRV 72 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 72 vs 52, Old Prairie is decisively the brighter choice.

Old Prairie reads slightly lighter (LRV 72 vs 60), a gap that shows most in low-lit rooms.

At LRV 72 vs 58, Old Prairie is decisively the brighter choice.

At LRV 72 vs 27, Old Prairie is decisively the brighter choice.

Old Prairie reflects far more light (LRV 72 vs 43), opening up a space where French Gray encloses it.

Old Prairie reflects far more light (LRV 72 vs 4), opening up a space where Naval encloses it.

At LRV 72 vs 55, Old Prairie is decisively the brighter choice.

At LRV 72 vs 13, Old Prairie is decisively the brighter choice.

At LRV 72 vs 44, Old Prairie is decisively the brighter choice.

Pure White reads slightly lighter (LRV 84 vs 72), a gap that shows most in low-lit rooms.

Old Prairie reflects far more light (LRV 72 vs 21), opening up a space where Artichoke encloses it.

A 7-point LRV gap (72 vs 66) makes Old Prairie the marginally brighter of the two.

Their light reflectance is nearly identical (LRV 74 vs 72), so neither reads brighter in a room.

A 11-point LRV gap (83 vs 72) makes Snowbound the marginally brighter of the two.

Old Prairie reflects far more light (LRV 72 vs 51), opening up a space where Pigeon encloses it.

At LRV 72 vs 12, Old Prairie is decisively the brighter choice.

At LRV 72 vs 8, Old Prairie is decisively the brighter choice.

A 4-point LRV gap (72 vs 68) makes Old Prairie the marginally brighter of the two.

Old Prairie reflects far more light (LRV 72 vs 41), opening up a space where Dix Blue encloses it.

At LRV 72 vs 12, Old Prairie is decisively the brighter choice.

At LRV 72 vs 45, Old Prairie is decisively the brighter choice.

Old Prairie reflects far more light (LRV 72 vs 31), opening up a space where Pale Green encloses it.

Old Prairie reflects far more light (LRV 72 vs 7), opening up a space where Pine Needle encloses it.













