Onondaga Clay vs Pale Green
Onondaga Clay is a Benjamin Moore color while Pale Green comes from RAL Classic. Onondaga Clay reads as pink-red, while Pale Green reads as green — two distinct hue families, not close cousins. At LRV 31 vs 13, Pale Green will read as the brighter of the two — a 18-point gap that matters most in north-facing or low-light rooms. At ΔE 44.7, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Onondaga Clay vs Pale Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Onondaga Clay on one side and Pale Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Onondaga Clay comparisons
See how Onondaga Clay stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 13, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 13), opening up a space where Onondaga Clay encloses it.
A 8-point LRV gap (13 vs 6) makes Onondaga Clay the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 13), opening up a space where Onondaga Clay encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 13), opening up a space where Onondaga Clay encloses it.
At LRV 52 vs 13, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 13), opening up a space where Onondaga Clay encloses it.
At LRV 58 vs 13, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 13, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 13), opening up a space where Onondaga Clay encloses it.
Onondaga Clay reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 13, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 13), so neither reads brighter in a room.
At LRV 44 vs 13, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 13), opening up a space where Onondaga Clay encloses it.
Artichoke reads slightly lighter (LRV 21 vs 13), a gap that shows most in low-lit rooms.
At LRV 66 vs 13, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 13, Shoji White is decisively the brighter choice.
At LRV 83 vs 13, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 68 vs 13, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 13), opening up a space where Onondaga Clay encloses it.
Calamine reflects far more light (LRV 68 vs 13), opening up a space where Onondaga Clay encloses it.
Treron reads slightly lighter (LRV 25 vs 13), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 45 vs 13, Saybrook Sage is decisively the brighter choice.
Onondaga Clay reads slightly lighter (LRV 13 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 13), opening up a space where Onondaga Clay encloses it.
Just Walnut reflects far more light (LRV 72 vs 13), opening up a space where Onondaga Clay encloses it.