Orange vs Redstone paint color comparison

Orange vs Redstone

OrangeBenjamin MoorevsRedstoneBenjamin MooreΔE 5.4Noticeable difference

Both are Benjamin Moore colors. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. With LRVs of 18 and 16, they'll behave almost identically in terms of how much light they reflect back into a room. They share a red quality — useful to know if you're layering them in the same space. At ΔE 5.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Orange
Benjamin Moore · 2011-10
Hex#E0412B
LRV18.0
BrandBenjamin Moore
Number2011-10
UndertoneRed
TemperatureWarm
BrightnessDark
Redstone
Benjamin Moore · 2009-10
Hex#D33B2B
LRV16.4
BrandBenjamin Moore
Number2009-10
UndertoneRed
TemperatureWarm
BrightnessDark

Orange vs Redstone Simulated Comparison

5 simulated room previews — drag the slider on each to see Orange on one side and Redstone on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Orange comparisons

See how Orange stacks up against other well-photographed colors across different brands and tones.

White Dove
Orange
White Dove
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 83 vs 18, White Dove is decisively the brighter choice.

Ammonite
Orange
Ammonite
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 18), opening up a space where Orange encloses it.

Iron Ore
Orange
Iron Ore
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 18 vs 6, Orange is decisively the brighter choice.

Purbeck Stone
Orange
Purbeck Stone
Benjamin Moore
Orange
2011-10 · LRV 18

Purbeck Stone reflects far more light (LRV 52 vs 18), opening up a space where Orange encloses it.

Evergreen Fog
Orange
Evergreen Fog
Benjamin Moore
Orange
2011-10 · LRV 18

Evergreen Fog reflects far more light (LRV 30 vs 18), opening up a space where Orange encloses it.

Mizzle
Orange
Mizzle
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 18, Mizzle is decisively the brighter choice.

Agreeable Gray
Orange
Agreeable Gray
Benjamin Moore
Orange
2011-10 · LRV 18

Agreeable Gray reflects far more light (LRV 60 vs 18), opening up a space where Orange encloses it.

Accessible Beige
Orange
Accessible Beige
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 58 vs 18, Accessible Beige is decisively the brighter choice.

Denim Drift
Orange
Denim Drift
Benjamin Moore
Orange
2011-10 · LRV 18

A 9-point LRV gap (27 vs 18) makes Denim Drift the marginally brighter of the two.

French Gray
Orange
French Gray
Benjamin Moore
Orange
2011-10 · LRV 18

French Gray reflects far more light (LRV 43 vs 18), opening up a space where Orange encloses it.

Naval
Orange
Naval
Benjamin Moore
Orange
2011-10 · LRV 18
Sherwin-Williams
Naval
LRV 4

Orange reflects far more light (LRV 18 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Orange
Tranquil Dawn
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 55 vs 18, Tranquil Dawn is decisively the brighter choice.

Bancha
Orange
Bancha
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Bancha
LRV 13

A 5-point LRV gap (18 vs 13) makes Orange the marginally brighter of the two.

Hardwick White
Orange
Hardwick White
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 44 vs 18, Hardwick White is decisively the brighter choice.

Pure White
Orange
Pure White
Benjamin Moore
Orange
2011-10 · LRV 18

Pure White reflects far more light (LRV 84 vs 18), opening up a space where Orange encloses it.

Artichoke
Orange
Artichoke
Benjamin Moore
Orange
2011-10 · LRV 18
Sherwin-Williams
Artichoke
LRV 21

Artichoke reads slightly lighter (LRV 21 vs 18), a gap that shows most in low-lit rooms.

Balboa Mist
Balboa Mist
Orange
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 66 vs 18, Balboa Mist is decisively the brighter choice.

Shoji White
Orange
Shoji White
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 74 vs 18, Shoji White is decisively the brighter choice.

Snowbound
Orange
Snowbound
Benjamin Moore
Orange
2011-10 · LRV 18
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 18, Snowbound is decisively the brighter choice.

Pewter Green
Orange
Pewter Green
Benjamin Moore
Orange
2011-10 · LRV 18

A 6-point LRV gap (18 vs 12) makes Orange the marginally brighter of the two.

Skimming Stone
Orange
Skimming Stone
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 68 vs 18, Skimming Stone is decisively the brighter choice.

Dix Blue
Orange
Dix Blue
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 18), opening up a space where Orange encloses it.

Calamine
Orange
Calamine
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 18), opening up a space where Orange encloses it.

Treron
Orange
Treron
Benjamin Moore
Orange
2011-10 · LRV 18
Farrow & Ball
Treron
LRV 25

Treron reads slightly lighter (LRV 25 vs 18), a gap that shows most in low-lit rooms.

Vintage Vogue
Orange
Vintage Vogue
Benjamin Moore
Orange
2011-10 · LRV 18

A 6-point LRV gap (18 vs 12) makes Orange the marginally brighter of the two.

Saybrook Sage
Orange
Saybrook Sage
Benjamin Moore
Orange
2011-10 · LRV 18

At LRV 45 vs 18, Saybrook Sage is decisively the brighter choice.

Pale Green
Orange
Pale Green
Benjamin Moore
Orange
2011-10 · LRV 18
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reflects far more light (LRV 31 vs 18), opening up a space where Orange encloses it.

Pine Needle
Orange
Pine Needle
Benjamin Moore
Orange
2011-10 · LRV 18

Orange reads slightly lighter (LRV 18 vs 7), a gap that shows most in low-lit rooms.

Cement grey
Orange
Cement grey
Benjamin Moore
Orange
2011-10 · LRV 18
RAL ClassicClassic
Cement grey
LRV 24

Cement grey reads slightly lighter (LRV 24 vs 18), a gap that shows most in low-lit rooms.

Guilford Green
Guilford Green
Orange
Benjamin Moore
Orange
2011-10 · LRV 18

Guilford Green reflects far more light (LRV 57 vs 18), opening up a space where Orange encloses it.