Pale Straw vs Good Graces
Pale Straw is a Benjamin Moore color while Good Graces comes from PPG. Both sit in the beige-yellow family, which is useful context if you're narrowing within a single hue direction. With LRVs of 87 and 85, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 2.7, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Pale Straw vs Good Graces Simulated Comparison
5 simulated room previews — drag the slider on each to see Pale Straw on one side and Good Graces on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pale Straw comparisons
See how Pale Straw stacks up against other well-photographed colors across different brands and tones.
At LRV 87 vs 69, Pale Straw is decisively the brighter choice.
Pale Straw reads slightly lighter (LRV 87 vs 83), a gap that shows most in low-lit rooms.
Pale Straw reflects far more light (LRV 87 vs 6), opening up a space where Iron Ore encloses it.
At LRV 87 vs 52, Pale Straw is decisively the brighter choice.
At LRV 87 vs 30, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 52), opening up a space where Mizzle encloses it.
At LRV 87 vs 60, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 58), opening up a space where Accessible Beige encloses it.
Pale Straw reflects far more light (LRV 87 vs 27), opening up a space where Denim Drift encloses it.
At LRV 87 vs 43, Pale Straw is decisively the brighter choice.
At LRV 87 vs 4, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 55), opening up a space where Tranquil Dawn encloses it.
Pale Straw reflects far more light (LRV 87 vs 13), opening up a space where Bancha encloses it.
Pale Straw reflects far more light (LRV 87 vs 44), opening up a space where Hardwick White encloses it.
Their light reflectance is nearly identical (LRV 87 vs 84), so neither reads brighter in a room.
At LRV 87 vs 21, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 66), opening up a space where Balboa Mist encloses it.
Pale Straw reflects far more light (LRV 87 vs 74), opening up a space where Shoji White encloses it.
Pale Straw reads slightly lighter (LRV 87 vs 83), a gap that shows most in low-lit rooms.
At LRV 87 vs 51, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 12), opening up a space where Pewter Green encloses it.
Pale Straw reflects far more light (LRV 87 vs 8), opening up a space where Duck Green encloses it.
Pale Straw reflects far more light (LRV 87 vs 68), opening up a space where Skimming Stone encloses it.
At LRV 87 vs 41, Pale Straw is decisively the brighter choice.
Pale Straw reflects far more light (LRV 87 vs 12), opening up a space where Vintage Vogue encloses it.
Pale Straw reflects far more light (LRV 87 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 87 vs 31, Pale Straw is decisively the brighter choice.