Palm Trees vs On the Nile
Palm Trees (Benjamin Moore) and On the Nile (Cloverdale Paint) come from different manufacturers. Both sit in the green family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 22 vs 24 — so neither will read significantly brighter or darker than the other. ΔE 4.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Palm Trees vs On the Nile in Real Spaces
2 real rooms side by side. Palm Trees and On the Nile are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Palm Trees vs On the Nile Simulated Comparison
5 simulated room previews — drag the slider on each to see Palm Trees on one side and On the Nile on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Palm Trees comparisons
See how Palm Trees stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Palm Trees encloses it.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
At LRV 22 vs 6, Palm Trees is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Palm Trees encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Palm Trees encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Palm Trees encloses it.
Palm Trees reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 9-point LRV gap (22 vs 13) makes Palm Trees the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Palm Trees encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Palm Trees encloses it.
A 10-point LRV gap (22 vs 12) makes Palm Trees the marginally brighter of the two.
At LRV 22 vs 8, Palm Trees is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Palm Trees encloses it.
A 10-point LRV gap (22 vs 12) makes Palm Trees the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.