Paper White vs Shoji White
Paper White (Benjamin Moore) and Shoji White (Sherwin-Williams) come from different manufacturers. Hue-wise, Paper White belongs to the green-grey family and Shoji White to the beige-greige family. Their light reflectance values are nearly the same — 74 vs 74 — so neither will read significantly brighter or darker than the other. Where Paper White leans green, Shoji White reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 4.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Paper White vs Shoji White in Real Spaces
5 real rooms side by side. Paper White and Shoji White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Paper White vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Paper White on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Paper White comparisons
See how Paper White stacks up against other well-photographed colors across different brands and tones.
White Dove reads slightly lighter (LRV 83 vs 74), a gap that shows most in low-lit rooms.
A 6-point LRV gap (74 vs 69) makes Paper White the marginally brighter of the two.
Paper White reflects far more light (LRV 74 vs 6), opening up a space where Iron Ore encloses it.
At LRV 74 vs 52, Paper White is decisively the brighter choice.
At LRV 74 vs 30, Paper White is decisively the brighter choice.
Paper White reflects far more light (LRV 74 vs 52), opening up a space where Mizzle encloses it.
At LRV 74 vs 60, Paper White is decisively the brighter choice.
Paper White reflects far more light (LRV 74 vs 58), opening up a space where Accessible Beige encloses it.
Paper White reflects far more light (LRV 74 vs 27), opening up a space where Denim Drift encloses it.
At LRV 74 vs 43, Paper White is decisively the brighter choice.
At LRV 74 vs 4, Paper White is decisively the brighter choice.
Paper White reflects far more light (LRV 74 vs 55), opening up a space where Tranquil Dawn encloses it.
Paper White reflects far more light (LRV 74 vs 13), opening up a space where Bancha encloses it.
Paper White reflects far more light (LRV 74 vs 44), opening up a space where Hardwick White encloses it.
A 10-point LRV gap (84 vs 74) makes Pure White the marginally brighter of the two.
At LRV 74 vs 21, Paper White is decisively the brighter choice.
Paper White reads slightly lighter (LRV 74 vs 66), a gap that shows most in low-lit rooms.
Snowbound reads slightly lighter (LRV 83 vs 74), a gap that shows most in low-lit rooms.
Paper White reflects far more light (LRV 74 vs 12), opening up a space where Pewter Green encloses it.
Paper White reads slightly lighter (LRV 74 vs 68), a gap that shows most in low-lit rooms.
At LRV 74 vs 41, Paper White is decisively the brighter choice.
A 7-point LRV gap (74 vs 68) makes Paper White the marginally brighter of the two.
At LRV 74 vs 25, Paper White is decisively the brighter choice.
Paper White reflects far more light (LRV 74 vs 12), opening up a space where Vintage Vogue encloses it.
Paper White reflects far more light (LRV 74 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 74 vs 31, Paper White is decisively the brighter choice.
At LRV 74 vs 7, Paper White is decisively the brighter choice.
At LRV 74 vs 24, Paper White is decisively the brighter choice.
At LRV 74 vs 57, Paper White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 74 vs 72), so neither reads brighter in a room.