Picture Perfect vs Pigeon
Where Picture Perfect belongs to Benjamin Moore's range, Pigeon is a Farrow & Ball color. Picture Perfect reads as blue, while Pigeon reads as grey — two distinct hue families, not close cousins. Picture Perfect (LRV 67) reflects noticeably more light than Pigeon (LRV 51), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Picture Perfect runs blue while Pigeon is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 25.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Picture Perfect vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Picture Perfect on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Picture Perfect comparisons
See how Picture Perfect stacks up against other well-photographed colors across different brands and tones.
With LRVs of 69 and 67, the two reflect almost the same amount of light.
At LRV 83 vs 67, White Dove is decisively the brighter choice.
At LRV 67 vs 6, Picture Perfect is decisively the brighter choice.
Picture Perfect reflects far more light (LRV 67 vs 52), opening up a space where Purbeck Stone encloses it.
Picture Perfect reflects far more light (LRV 67 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 67 vs 52, Picture Perfect is decisively the brighter choice.
Picture Perfect reads slightly lighter (LRV 67 vs 60), a gap that shows most in low-lit rooms.
A 9-point LRV gap (67 vs 58) makes Picture Perfect the marginally brighter of the two.
At LRV 67 vs 27, Picture Perfect is decisively the brighter choice.
Picture Perfect reflects far more light (LRV 67 vs 43), opening up a space where French Gray encloses it.
Picture Perfect reflects far more light (LRV 67 vs 4), opening up a space where Naval encloses it.
A 12-point LRV gap (67 vs 55) makes Picture Perfect the marginally brighter of the two.
At LRV 67 vs 13, Picture Perfect is decisively the brighter choice.
At LRV 67 vs 44, Picture Perfect is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 67), opening up a space where Picture Perfect encloses it.
Picture Perfect reflects far more light (LRV 67 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 67 vs 66), so neither reads brighter in a room.
A 8-point LRV gap (74 vs 67) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 67, Snowbound is decisively the brighter choice.
At LRV 67 vs 12, Picture Perfect is decisively the brighter choice.
At LRV 67 vs 8, Picture Perfect is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 67), so neither reads brighter in a room.
Picture Perfect reflects far more light (LRV 67 vs 41), opening up a space where Dix Blue encloses it.
At LRV 67 vs 12, Picture Perfect is decisively the brighter choice.
At LRV 67 vs 45, Picture Perfect is decisively the brighter choice.
Picture Perfect reflects far more light (LRV 67 vs 31), opening up a space where Pale Green encloses it.
Picture Perfect reflects far more light (LRV 67 vs 7), opening up a space where Pine Needle encloses it.