Pink Attraction vs Toasted Mauve paint color comparison

Pink Attraction vs Toasted Mauve

Pink Attraction and Toasted Mauve come from the same Benjamin Moore collection. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. The 18-point LRV gap — 50 for Pink Attraction vs 32 for Toasted Mauve — means Pink Attraction will open up a space more effectively. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 18.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Pink Attraction
Benjamin Moore · 1255
Hex#D8B4B5
LRV50.1
BrandBenjamin Moore
Number1255
UndertoneRed
TemperatureWarm
BrightnessMedium
Toasted Mauve
Benjamin Moore · 1279
Hex#C7868C
LRV31.9
BrandBenjamin Moore
Number1279
UndertoneRed
TemperatureWarm
BrightnessMedium

Pink Attraction vs Toasted Mauve Simulated Comparison

5 simulated room previews — drag the slider on each to see Pink Attraction on one side and Toasted Mauve on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Pink Attraction comparisons

See how Pink Attraction stacks up against other well-photographed colors across different brands and tones.

White Dove
Pink Attraction
White Dove
Benjamin Moore
Pink Attraction
1255 · LRV 50

White Dove reflects far more light (LRV 83 vs 50), opening up a space where Pink Attraction encloses it.

Ammonite
Pink Attraction
Ammonite
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 50, Ammonite is decisively the brighter choice.

Iron Ore
Pink Attraction
Iron Ore
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Pink Attraction
Purbeck Stone
Benjamin Moore
Pink Attraction
1255 · LRV 50

Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.

Evergreen Fog
Pink Attraction
Evergreen Fog
Benjamin Moore
Pink Attraction
1255 · LRV 50

At LRV 50 vs 30, Pink Attraction is decisively the brighter choice.

Mizzle
Pink Attraction
Mizzle
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Agreeable Gray
Pink Attraction
Agreeable Gray
Benjamin Moore
Pink Attraction
1255 · LRV 50

A 10-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
Pink Attraction
Accessible Beige
Benjamin Moore
Pink Attraction
1255 · LRV 50

Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.

Denim Drift
Pink Attraction
Denim Drift
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Pink Attraction
French Gray
Benjamin Moore
Pink Attraction
1255 · LRV 50

A 7-point LRV gap (50 vs 43) makes Pink Attraction the marginally brighter of the two.

Naval
Pink Attraction
Naval
Benjamin Moore
Pink Attraction
1255 · LRV 50
Sherwin-Williams
Naval
LRV 4

At LRV 50 vs 4, Pink Attraction is decisively the brighter choice.

Tranquil Dawn
Pink Attraction
Tranquil Dawn
Benjamin Moore
Pink Attraction
1255 · LRV 50

Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.

Bancha
Pink Attraction
Bancha
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Bancha
LRV 13

Pink Attraction reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Pink Attraction
Hardwick White
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.

Pure White
Pink Attraction
Pure White
Benjamin Moore
Pink Attraction
1255 · LRV 50

At LRV 84 vs 50, Pure White is decisively the brighter choice.

Artichoke
Pink Attraction
Artichoke
Benjamin Moore
Pink Attraction
1255 · LRV 50
Sherwin-Williams
Artichoke
LRV 21

At LRV 50 vs 21, Pink Attraction is decisively the brighter choice.

Balboa Mist
Balboa Mist
Pink Attraction
Benjamin Moore
Pink Attraction
1255 · LRV 50

Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where Pink Attraction encloses it.

Shoji White
Pink Attraction
Shoji White
Benjamin Moore
Pink Attraction
1255 · LRV 50

Shoji White reflects far more light (LRV 74 vs 50), opening up a space where Pink Attraction encloses it.

Snowbound
Pink Attraction
Snowbound
Benjamin Moore
Pink Attraction
1255 · LRV 50
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 50), opening up a space where Pink Attraction encloses it.

Pewter Green
Pink Attraction
Pewter Green
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Pink Attraction
Skimming Stone
Benjamin Moore
Pink Attraction
1255 · LRV 50

Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where Pink Attraction encloses it.

Dix Blue
Pink Attraction
Dix Blue
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Dix Blue
LRV 41

A 9-point LRV gap (50 vs 41) makes Pink Attraction the marginally brighter of the two.

Calamine
Pink Attraction
Calamine
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 50, Calamine is decisively the brighter choice.

Treron
Pink Attraction
Treron
Benjamin Moore
Pink Attraction
1255 · LRV 50
Farrow & Ball
Treron
LRV 25

At LRV 50 vs 25, Pink Attraction is decisively the brighter choice.

Vintage Vogue
Pink Attraction
Vintage Vogue
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Pink Attraction
Saybrook Sage
Benjamin Moore
Pink Attraction
1255 · LRV 50

Pink Attraction reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.

Pale Green
Pink Attraction
Pale Green
Benjamin Moore
Pink Attraction
1255 · LRV 50
RAL ClassicClassic
Pale Green
LRV 31

At LRV 50 vs 31, Pink Attraction is decisively the brighter choice.

Pine Needle
Pink Attraction
Pine Needle
Benjamin Moore
Pink Attraction
1255 · LRV 50

At LRV 50 vs 7, Pink Attraction is decisively the brighter choice.

Cement grey
Pink Attraction
Cement grey
Benjamin Moore
Pink Attraction
1255 · LRV 50
RAL ClassicClassic
Cement grey
LRV 24

At LRV 50 vs 24, Pink Attraction is decisively the brighter choice.

Guilford Green
Guilford Green
Pink Attraction
Benjamin Moore
Pink Attraction
1255 · LRV 50

A 7-point LRV gap (57 vs 50) makes Guilford Green the marginally brighter of the two.