
Pink Punch vs Cherry Plum
Where Pink Punch belongs to Benjamin Moore's range, Cherry Plum is a Dulux color. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. Pink Punch (LRV 47) reflects noticeably more light than Cherry Plum (LRV 33), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Pink Punch runs red while Cherry Plum is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 12.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Pink Punch vs Cherry Plum Simulated Comparison
5 simulated room previews — drag the slider on each to see Pink Punch on one side and Cherry Plum on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pink Punch comparisons
See how Pink Punch stacks up against other well-photographed colors across different brands and tones.

At LRV 69 vs 47, Ammonite is decisively the brighter choice.

White Dove reflects far more light (LRV 83 vs 47), opening up a space where Pink Punch encloses it.

Pink Punch reflects far more light (LRV 47 vs 6), opening up a space where Iron Ore encloses it.

A 5-point LRV gap (52 vs 47) makes Purbeck Stone the marginally brighter of the two.

At LRV 47 vs 30, Pink Punch is decisively the brighter choice.

Mizzle reads slightly lighter (LRV 52 vs 47), a gap that shows most in low-lit rooms.

At LRV 60 vs 47, Agreeable Gray is decisively the brighter choice.

Accessible Beige reads slightly lighter (LRV 58 vs 47), a gap that shows most in low-lit rooms.

Pink Punch reflects far more light (LRV 47 vs 27), opening up a space where Denim Drift encloses it.

A 4-point LRV gap (47 vs 43) makes Pink Punch the marginally brighter of the two.

At LRV 47 vs 4, Pink Punch is decisively the brighter choice.

Tranquil Dawn reads slightly lighter (LRV 55 vs 47), a gap that shows most in low-lit rooms.

Pink Punch reflects far more light (LRV 47 vs 13), opening up a space where Bancha encloses it.

Pink Punch reads slightly lighter (LRV 47 vs 44), a gap that shows most in low-lit rooms.

At LRV 84 vs 47, Pure White is decisively the brighter choice.

At LRV 47 vs 21, Pink Punch is decisively the brighter choice.

Balboa Mist reflects far more light (LRV 66 vs 47), opening up a space where Pink Punch encloses it.

Shoji White reflects far more light (LRV 74 vs 47), opening up a space where Pink Punch encloses it.

Snowbound reflects far more light (LRV 83 vs 47), opening up a space where Pink Punch encloses it.

A 4-point LRV gap (51 vs 47) makes Pigeon the marginally brighter of the two.

Pink Punch reflects far more light (LRV 47 vs 12), opening up a space where Pewter Green encloses it.

Pink Punch reflects far more light (LRV 47 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone reflects far more light (LRV 68 vs 47), opening up a space where Pink Punch encloses it.

A 6-point LRV gap (47 vs 41) makes Pink Punch the marginally brighter of the two.

Pink Punch reflects far more light (LRV 47 vs 12), opening up a space where Vintage Vogue encloses it.

With LRVs of 47 and 45, the two reflect almost the same amount of light.

At LRV 47 vs 31, Pink Punch is decisively the brighter choice.













