Plaster of Paris vs Dix Blue
Plaster of Paris (Benjamin Moore) and Dix Blue (Farrow & Ball) come from different manufacturers. Hue-wise, Plaster of Paris belongs to the beige-yellow family and Dix Blue to the blue-grey family. The 32-point LRV gap — 73 for Plaster of Paris vs 41 for Dix Blue — means Plaster of Paris will open up a space more effectively. Where Plaster of Paris leans warm, Dix Blue reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 22.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Plaster of Paris vs Dix Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Plaster of Paris on one side and Dix Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Plaster of Paris comparisons
See how Plaster of Paris stacks up against other well-photographed colors across different brands and tones.
A 11-point LRV gap (83 vs 73) makes White Dove the marginally brighter of the two.
Plaster of Paris reads slightly lighter (LRV 73 vs 69), a gap that shows most in low-lit rooms.
At LRV 73 vs 6, Plaster of Paris is decisively the brighter choice.
Plaster of Paris reflects far more light (LRV 73 vs 52), opening up a space where Purbeck Stone encloses it.
Plaster of Paris reflects far more light (LRV 73 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 73 vs 52, Plaster of Paris is decisively the brighter choice.
Plaster of Paris reflects far more light (LRV 73 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 73 vs 58, Plaster of Paris is decisively the brighter choice.
At LRV 73 vs 27, Plaster of Paris is decisively the brighter choice.
Plaster of Paris reflects far more light (LRV 73 vs 43), opening up a space where French Gray encloses it.
Plaster of Paris reflects far more light (LRV 73 vs 4), opening up a space where Naval encloses it.
At LRV 73 vs 55, Plaster of Paris is decisively the brighter choice.
At LRV 73 vs 13, Plaster of Paris is decisively the brighter choice.
At LRV 73 vs 44, Plaster of Paris is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 73), a gap that shows most in low-lit rooms.
Plaster of Paris reflects far more light (LRV 73 vs 21), opening up a space where Artichoke encloses it.
A 7-point LRV gap (73 vs 66) makes Plaster of Paris the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 73), so neither reads brighter in a room.
A 10-point LRV gap (83 vs 73) makes Snowbound the marginally brighter of the two.
At LRV 73 vs 12, Plaster of Paris is decisively the brighter choice.
A 4-point LRV gap (73 vs 68) makes Plaster of Paris the marginally brighter of the two.
Plaster of Paris reads slightly lighter (LRV 73 vs 68), a gap that shows most in low-lit rooms.
Plaster of Paris reflects far more light (LRV 73 vs 25), opening up a space where Treron encloses it.
At LRV 73 vs 12, Plaster of Paris is decisively the brighter choice.
At LRV 73 vs 45, Plaster of Paris is decisively the brighter choice.
Plaster of Paris reflects far more light (LRV 73 vs 31), opening up a space where Pale Green encloses it.
Plaster of Paris reflects far more light (LRV 73 vs 7), opening up a space where Pine Needle encloses it.
Plaster of Paris reflects far more light (LRV 73 vs 24), opening up a space where Cement grey encloses it.
Plaster of Paris reflects far more light (LRV 73 vs 57), opening up a space where Guilford Green encloses it.
With LRVs of 73 and 72, the two reflect almost the same amount of light.