Queen's Wreath vs Cook's Blue
Queen's Wreath (Benjamin Moore) and Cook's Blue (Farrow & Ball) come from different manufacturers. Hue-wise, Queen's Wreath belongs to the blue-grey family and Cook's Blue to the blue family. Their light reflectance values are nearly the same — 24 vs 25 — so neither will read significantly brighter or darker than the other. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 11.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Queen's Wreath vs Cook's Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Queen's Wreath on one side and Cook's Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Queen's Wreath comparisons
See how Queen's Wreath stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 24, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 24), opening up a space where Queen's Wreath encloses it.
Queen's Wreath reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.
A 7-point LRV gap (30 vs 24) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 24), opening up a space where Queen's Wreath encloses it.
At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where Queen's Wreath encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 24), a gap that shows most in low-lit rooms.
At LRV 43 vs 24, French Gray is decisively the brighter choice.
At LRV 24 vs 4, Queen's Wreath is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where Queen's Wreath encloses it.
Queen's Wreath reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where Queen's Wreath encloses it.
At LRV 84 vs 24, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where Queen's Wreath encloses it.
Shoji White reflects far more light (LRV 74 vs 24), opening up a space where Queen's Wreath encloses it.
Snowbound reflects far more light (LRV 83 vs 24), opening up a space where Queen's Wreath encloses it.
At LRV 51 vs 24, Pigeon is decisively the brighter choice.
Queen's Wreath reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.
Queen's Wreath reflects far more light (LRV 24 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 24), opening up a space where Queen's Wreath encloses it.
At LRV 41 vs 24, Dix Blue is decisively the brighter choice.
Queen's Wreath reads slightly lighter (LRV 24 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where Queen's Wreath encloses it.
A 7-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.