Rainy Afternoon vs Slaked Lime Deep

Where Rainy Afternoon belongs to Benjamin Moore's range, Slaked Lime Deep is a Little Greene color. Hue-wise, Rainy Afternoon belongs to the green-grey family and Slaked Lime Deep to the beige family. Rainy Afternoon has an LRV of 15. Rainy Afternoon runs green while Slaked Lime Deep is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 37.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Rainy Afternoon vs Slaked Lime Deep in Real Spaces

1 real room side by side. Seeing Rainy Afternoon and Slaked Lime Deep in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.

Rainy AfternoonBm Rainy Afternoon Bedroom

@americancolorks

Slaked Lime DeepSlaked Lime Deep bedroom paint

@pangolinjoinery

Color Details

Rainy Afternoon
Benjamin Moore · 1575
LRV15.2
BrandBenjamin Moore
Number1575
UndertoneGreen
TemperatureNeutral
BrightnessDark
Slaked Lime Deep
Little Greene · 150
LRV
BrandLittle Greene
Number150
UndertoneRed
Temperature
Brightness

Rainy Afternoon vs Slaked Lime Deep Simulated Comparison

5 simulated room previews — drag the slider on each to see Rainy Afternoon on one side and Slaked Lime Deep on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Rainy Afternoon comparisons

See how Rainy Afternoon stacks up against other well-photographed colors across different brands and tones.

Rainy Afternoon
Ammonite
Rainy Afternoon
Ammonite
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
White Dove
Rainy Afternoon
White Dove
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 83 vs 15, White Dove is decisively the brighter choice.

Rainy Afternoon
Iron Ore
Rainy Afternoon
Iron Ore
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

A 10-point LRV gap (15 vs 6) makes Rainy Afternoon the marginally brighter of the two.

Rainy Afternoon
Purbeck Stone
Rainy Afternoon
Purbeck Stone
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Purbeck Stone reflects far more light (LRV 52 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Evergreen Fog
Rainy Afternoon
Evergreen Fog
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Evergreen Fog reflects far more light (LRV 30 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Mizzle
Rainy Afternoon
Mizzle
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 15, Mizzle is decisively the brighter choice.

Rainy Afternoon
Agreeable Gray
Rainy Afternoon
Agreeable Gray
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Agreeable Gray reflects far more light (LRV 60 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Accessible Beige
Rainy Afternoon
Accessible Beige
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 58 vs 15, Accessible Beige is decisively the brighter choice.

Rainy Afternoon
Denim Drift
Rainy Afternoon
Denim Drift
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

A 12-point LRV gap (27 vs 15) makes Denim Drift the marginally brighter of the two.

Rainy Afternoon
French Gray
Rainy Afternoon
French Gray
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

French Gray reflects far more light (LRV 43 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Naval
Rainy Afternoon
Naval
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Sherwin-Williams
Naval
LRV 4

Rainy Afternoon reads slightly lighter (LRV 15 vs 4), a gap that shows most in low-lit rooms.

Rainy Afternoon
Tranquil Dawn
Rainy Afternoon
Tranquil Dawn
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 55 vs 15, Tranquil Dawn is decisively the brighter choice.

Rainy Afternoon
Bancha
Rainy Afternoon
Bancha
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Farrow & Ball
Bancha
LRV 13

Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.

Rainy Afternoon
Hardwick White
Rainy Afternoon
Hardwick White
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 44 vs 15, Hardwick White is decisively the brighter choice.

Rainy Afternoon
Pure White
Rainy Afternoon
Pure White
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Pure White reflects far more light (LRV 84 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Artichoke
Rainy Afternoon
Artichoke
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Sherwin-Williams
Artichoke
LRV 21

Artichoke reads slightly lighter (LRV 21 vs 15), a gap that shows most in low-lit rooms.

Balboa Mist
Rainy Afternoon
Balboa Mist
Rainy Afternoon
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 66 vs 15, Balboa Mist is decisively the brighter choice.

Rainy Afternoon
Shoji White
Rainy Afternoon
Shoji White
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 74 vs 15, Shoji White is decisively the brighter choice.

Rainy Afternoon
Snowbound
Rainy Afternoon
Snowbound
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 15, Snowbound is decisively the brighter choice.

Rainy Afternoon
Pigeon
Rainy Afternoon
Pigeon
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Farrow & Ball
Pigeon
LRV 51

Pigeon reflects far more light (LRV 51 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Rainy Afternoon
Pewter Green
Pewter Green
Rainy Afternoon vs Pewter Green
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

A 3-point LRV gap (15 vs 12) makes Rainy Afternoon the marginally brighter of the two.

Rainy Afternoon
Duck Green
Rainy Afternoon
Duck Green
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

A 7-point LRV gap (15 vs 8) makes Rainy Afternoon the marginally brighter of the two.

Rainy Afternoon
Skimming Stone
Rainy Afternoon
Skimming Stone
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 68 vs 15, Skimming Stone is decisively the brighter choice.

Rainy Afternoon
Dix Blue
Rainy Afternoon
Dix Blue
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Hicks' Blue
Rainy Afternoon
Hicks' Blue

Rainy Afternoon vs Hicks' Blue

Rainy Afternoon
Vintage Vogue
Rainy Afternoon
Vintage Vogue
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

A 3-point LRV gap (15 vs 12) makes Rainy Afternoon the marginally brighter of the two.

Rainy Afternoon
Livid
Rainy Afternoon
Livid
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Rainy Afternoon vs Livid

Rainy Afternoon
Saybrook Sage
Rainy Afternoon
Saybrook Sage
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

At LRV 45 vs 15, Saybrook Sage is decisively the brighter choice.

Rainy Afternoon
Pale Green
Rainy Afternoon
Pale Green
Benjamin Moore
Rainy Afternoon
1575 · LRV 15
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reflects far more light (LRV 31 vs 15), opening up a space where Rainy Afternoon encloses it.

Rainy Afternoon
Pine Needle
Rainy Afternoon
Pine Needle
Benjamin Moore
Rainy Afternoon
1575 · LRV 15

Rainy Afternoon reads slightly lighter (LRV 15 vs 7), a gap that shows most in low-lit rooms.