Randolph Gray vs Ammonite
Where Randolph Gray belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, Randolph Gray belongs to the grey family and Ammonite to the beige-greige family. Ammonite (LRV 69) reflects noticeably more light than Randolph Gray (LRV 11), a difference of 58 points that becomes especially apparent in rooms with limited natural light. Randolph Gray runs yellow while Ammonite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 49.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Randolph Gray vs Ammonite in Real Spaces
3 real rooms side by side. Seeing Randolph Gray and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Randolph Gray would.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Ammonite reflects noticeably more light off the walls, making the space read more open than Randolph Gray.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Ammonite reflects noticeably more light off the walls, making the space read more open than Randolph Gray.
Color Details
Randolph Gray vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Randolph Gray on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Randolph Gray comparisons
See how Randolph Gray stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 11, White Dove is decisively the brighter choice.
A 6-point LRV gap (11 vs 6) makes Randolph Gray the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 11), opening up a space where Randolph Gray encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 11), opening up a space where Randolph Gray encloses it.
At LRV 52 vs 11, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 11), opening up a space where Randolph Gray encloses it.
At LRV 58 vs 11, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 11, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 11), opening up a space where Randolph Gray encloses it.
Randolph Gray reads slightly lighter (LRV 11 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 11, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 11), so neither reads brighter in a room.
At LRV 44 vs 11, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 11), opening up a space where Randolph Gray encloses it.
Artichoke reads slightly lighter (LRV 21 vs 11), a gap that shows most in low-lit rooms.
At LRV 66 vs 11, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 11, Shoji White is decisively the brighter choice.
At LRV 83 vs 11, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 11), opening up a space where Randolph Gray encloses it.
Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.
A 3-point LRV gap (11 vs 8) makes Randolph Gray the marginally brighter of the two.
At LRV 68 vs 11, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 11), opening up a space where Randolph Gray encloses it.
Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.
At LRV 45 vs 11, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 11), opening up a space where Randolph Gray encloses it.
Randolph Gray reads slightly lighter (LRV 11 vs 7), a gap that shows most in low-lit rooms.