Red vs Mizzle
Red is a Benjamin Moore color while Mizzle comes from Farrow & Ball. Red reads as pink-red, while Mizzle reads as grey — two distinct hue families, not close cousins. At LRV 52 vs 14, Mizzle will read as the brighter of the two — a 37-point gap that matters most in north-facing or low-light rooms. The tonal difference — Red's red character against Mizzle's warm — becomes most visible against white trim or in morning light. At ΔE 77.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Red vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Red on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Red comparisons
See how Red stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where Red encloses it.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where Red encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where Red encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where Red encloses it.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where Red encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where Red encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where Red encloses it.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where Red encloses it.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where Red encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.
A 7-point LRV gap (14 vs 7) makes Red the marginally brighter of the two.
A 10-point LRV gap (24 vs 14) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 14, Guilford Green is decisively the brighter choice.
At LRV 72 vs 14, Just Walnut is decisively the brighter choice.