Reid Brown vs Artichoke
Where Reid Brown belongs to Benjamin Moore's range, Artichoke is a Sherwin-Williams color. Hue-wise, Reid Brown belongs to the pink-red family and Artichoke to the grey family. Artichoke (LRV 21) reflects noticeably more light than Reid Brown (LRV 10), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Reid Brown runs red while Artichoke is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 30.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Reid Brown vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Reid Brown on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Reid Brown comparisons
See how Reid Brown stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 10, White Dove is decisively the brighter choice.

Ammonite reflects far more light (LRV 69 vs 10), opening up a space where Reid Brown encloses it.

A 4-point LRV gap (10 vs 6) makes Reid Brown the marginally brighter of the two.

Purbeck Stone reflects far more light (LRV 52 vs 10), opening up a space where Reid Brown encloses it.

Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where Reid Brown encloses it.

At LRV 52 vs 10, Mizzle is decisively the brighter choice.

Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where Reid Brown encloses it.

At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.

At LRV 27 vs 10, Denim Drift is decisively the brighter choice.

French Gray reflects far more light (LRV 43 vs 10), opening up a space where Reid Brown encloses it.

Reid Brown reads slightly lighter (LRV 10 vs 4), a gap that shows most in low-lit rooms.

At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.

A 4-point LRV gap (13 vs 10) makes Bancha the marginally brighter of the two.

At LRV 44 vs 10, Hardwick White is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 10), opening up a space where Reid Brown encloses it.

At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.

At LRV 74 vs 10, Shoji White is decisively the brighter choice.

At LRV 83 vs 10, Snowbound is decisively the brighter choice.

Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.

At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.

Dix Blue reflects far more light (LRV 41 vs 10), opening up a space where Reid Brown encloses it.

Calamine reflects far more light (LRV 68 vs 10), opening up a space where Reid Brown encloses it.

Treron reflects far more light (LRV 25 vs 10), opening up a space where Reid Brown encloses it.

Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.

At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.

Pale Green reflects far more light (LRV 31 vs 10), opening up a space where Reid Brown encloses it.

With LRVs of 10 and 7, the two reflect almost the same amount of light.

Cement grey reflects far more light (LRV 24 vs 10), opening up a space where Reid Brown encloses it.

Guilford Green reflects far more light (LRV 57 vs 10), opening up a space where Reid Brown encloses it.

Just Walnut reflects far more light (LRV 72 vs 10), opening up a space where Reid Brown encloses it.









