Rosy Apple vs Incarnadine paint color comparison

Rosy Apple vs Incarnadine

Rosy AppleBenjamin MoorevsIncarnadineFarrow & BallΔE 7.6Noticeable difference

Rosy Apple (Benjamin Moore) and Incarnadine (Farrow & Ball) come from different manufacturers. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. The 4-point LRV gap — 16 for Rosy Apple vs 12 for Incarnadine — means Rosy Apple will open up a space more effectively. Where Rosy Apple leans red, Incarnadine reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 7.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Rosy Apple
Benjamin Moore · 2006-30
Hex#B14C45
LRV16.1
BrandBenjamin Moore
Number2006-30
UndertoneRed
TemperatureWarm
BrightnessDark
Incarnadine
Farrow & Ball · 248
Hex#a04344
LRV11.6
BrandFarrow & Ball
Number248
Undertone
TemperatureWarm
BrightnessDark

Rosy Apple vs Incarnadine Simulated Comparison

5 simulated room previews — drag the slider on each to see Rosy Apple on one side and Incarnadine on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Rosy Apple comparisons

See how Rosy Apple stacks up against other well-photographed colors across different brands and tones.

Rosy Apple
White Dove
White Dove
Rosy Apple vs White Dove
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 83 vs 16, White Dove is decisively the brighter choice.

Ammonite
Rosy Apple
Ammonite
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 16), opening up a space where Rosy Apple encloses it.

Iron Ore
Rosy Apple
Iron Ore
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

A 11-point LRV gap (16 vs 6) makes Rosy Apple the marginally brighter of the two.

Purbeck Stone
Rosy Apple
Purbeck Stone
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Purbeck Stone reflects far more light (LRV 52 vs 16), opening up a space where Rosy Apple encloses it.

Evergreen Fog
Rosy Apple
Evergreen Fog
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Evergreen Fog reflects far more light (LRV 30 vs 16), opening up a space where Rosy Apple encloses it.

Mizzle
Rosy Apple
Mizzle
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 16, Mizzle is decisively the brighter choice.

Agreeable Gray
Rosy Apple
Agreeable Gray
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Agreeable Gray reflects far more light (LRV 60 vs 16), opening up a space where Rosy Apple encloses it.

Accessible Beige
Rosy Apple
Accessible Beige
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 58 vs 16, Accessible Beige is decisively the brighter choice.

Denim Drift
Rosy Apple
Denim Drift
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

A 11-point LRV gap (27 vs 16) makes Denim Drift the marginally brighter of the two.

French Gray
Rosy Apple
French Gray
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

French Gray reflects far more light (LRV 43 vs 16), opening up a space where Rosy Apple encloses it.

Naval
Rosy Apple
Naval
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Sherwin-Williams
Naval
LRV 4

Rosy Apple reads slightly lighter (LRV 16 vs 4), a gap that shows most in low-lit rooms.

Tranquil Dawn
Rosy Apple
Tranquil Dawn
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 55 vs 16, Tranquil Dawn is decisively the brighter choice.

Bancha
Rosy Apple
Bancha
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Bancha
LRV 13

Their light reflectance is nearly identical (LRV 16 vs 13), so neither reads brighter in a room.

Hardwick White
Rosy Apple
Hardwick White
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 44 vs 16, Hardwick White is decisively the brighter choice.

Pure White
Rosy Apple
Pure White
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Pure White reflects far more light (LRV 84 vs 16), opening up a space where Rosy Apple encloses it.

Artichoke
Rosy Apple
Artichoke
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Sherwin-Williams
Artichoke
LRV 21

Artichoke reads slightly lighter (LRV 21 vs 16), a gap that shows most in low-lit rooms.

Balboa Mist
Balboa Mist
Rosy Apple
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 66 vs 16, Balboa Mist is decisively the brighter choice.

Shoji White
Rosy Apple
Shoji White
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 74 vs 16, Shoji White is decisively the brighter choice.

Snowbound
Rosy Apple
Snowbound
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 16, Snowbound is decisively the brighter choice.

Pewter Green
Rosy Apple
Pewter Green
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

A 4-point LRV gap (16 vs 12) makes Rosy Apple the marginally brighter of the two.

Skimming Stone
Rosy Apple
Skimming Stone
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 68 vs 16, Skimming Stone is decisively the brighter choice.

Dix Blue
Rosy Apple
Dix Blue
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 16), opening up a space where Rosy Apple encloses it.

Calamine
Rosy Apple
Calamine
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 16), opening up a space where Rosy Apple encloses it.

Treron
Rosy Apple
Treron
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
Farrow & Ball
Treron
LRV 25

Treron reads slightly lighter (LRV 25 vs 16), a gap that shows most in low-lit rooms.

Vintage Vogue
Rosy Apple
Vintage Vogue
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

A 4-point LRV gap (16 vs 12) makes Rosy Apple the marginally brighter of the two.

Saybrook Sage
Rosy Apple
Saybrook Sage
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

At LRV 45 vs 16, Saybrook Sage is decisively the brighter choice.

Pale Green
Rosy Apple
Pale Green
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reflects far more light (LRV 31 vs 16), opening up a space where Rosy Apple encloses it.

Pine Needle
Rosy Apple
Pine Needle
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Rosy Apple reads slightly lighter (LRV 16 vs 7), a gap that shows most in low-lit rooms.

Cement grey
Rosy Apple
Cement grey
Benjamin Moore
Rosy Apple
2006-30 · LRV 16
RAL ClassicClassic
Cement grey
LRV 24

Cement grey reads slightly lighter (LRV 24 vs 16), a gap that shows most in low-lit rooms.

Guilford Green
Guilford Green
Rosy Apple
Benjamin Moore
Rosy Apple
2006-30 · LRV 16

Guilford Green reflects far more light (LRV 57 vs 16), opening up a space where Rosy Apple encloses it.