Royal Flush vs Dix Blue
Royal Flush (Benjamin Moore) and Dix Blue (Farrow & Ball) come from different manufacturers. Hue-wise, Royal Flush belongs to the pink family and Dix Blue to the blue-grey family. The 29-point LRV gap — 41 for Dix Blue vs 12 for Royal Flush — means Dix Blue will open up a space more effectively. Where Royal Flush leans red, Dix Blue reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 64.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Royal Flush vs Dix Blue in Real Spaces
1 real room side by side. Seeing Royal Flush and Dix Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Dix Blue returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Royal Flush vs Dix Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Royal Flush on one side and Dix Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Royal Flush comparisons
See how Royal Flush stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 12), opening up a space where Royal Flush encloses it.
At LRV 83 vs 12, White Dove is decisively the brighter choice.
A 6-point LRV gap (12 vs 6) makes Royal Flush the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 12), opening up a space where Royal Flush encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 12), opening up a space where Royal Flush encloses it.
At LRV 52 vs 12, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 12), opening up a space where Royal Flush encloses it.
At LRV 58 vs 12, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 12, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 12), opening up a space where Royal Flush encloses it.
Royal Flush reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 12, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 44 vs 12, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 12), opening up a space where Royal Flush encloses it.
Artichoke reads slightly lighter (LRV 21 vs 12), a gap that shows most in low-lit rooms.
At LRV 66 vs 12, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 12, Shoji White is decisively the brighter choice.
At LRV 83 vs 12, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 12), opening up a space where Royal Flush encloses it.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
A 4-point LRV gap (12 vs 8) makes Royal Flush the marginally brighter of the two.
At LRV 68 vs 12, Skimming Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 45 vs 12, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 12), opening up a space where Royal Flush encloses it.
Royal Flush reads slightly lighter (LRV 12 vs 7), a gap that shows most in low-lit rooms.