Ruby Red vs Vermilion paint color comparison

Ruby Red vs Vermilion

Ruby RedBenjamin MoorevsVermilionBenjamin MooreΔE 2.8Subtle difference

Both from Benjamin Moore's palette. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. They have nearly identical light reflectance values (16 vs 15), so they'll read as similarly Dark in most lighting conditions. Both lean red, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.8, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Ruby Red
Benjamin Moore · 2001-10
Hex#CA2C2C
LRV15.9
BrandBenjamin Moore
Number2001-10
UndertoneRed
TemperatureWarm
BrightnessDark
Vermilion
Benjamin Moore · 2002-10
Hex#CF312B
LRV15.3
BrandBenjamin Moore
Number2002-10
UndertoneRed
TemperatureWarm
BrightnessDark

Ruby Red vs Vermilion Simulated Comparison

5 simulated room previews — drag the slider on each to see Ruby Red on one side and Vermilion on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Ruby Red comparisons

See how Ruby Red stacks up against other well-photographed colors across different brands and tones.

White Dove
Ruby Red vs White Dove
Ruby Red
White Dove
Benjamin Moore
Ruby Red
2001-10 · LRV 16

White Dove reflects far more light (LRV 83 vs 16), opening up a space where Ruby Red encloses it.

Ammonite
Ruby Red
Ammonite
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 16, Ammonite is decisively the brighter choice.

Iron Ore
Ruby Red
Iron Ore
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Ruby Red reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Ruby Red
Purbeck Stone
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Ruby Red
Evergreen Fog
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.

Mizzle
Ruby Red
Mizzle
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Ruby Red encloses it.

Agreeable Gray
Ruby Red
Agreeable Gray
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Ruby Red
Accessible Beige
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Ruby Red encloses it.

Denim Drift
Ruby Red
Denim Drift
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.

French Gray
Ruby Red
French Gray
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 43 vs 16, French Gray is decisively the brighter choice.

Naval
Ruby Red
Naval
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Sherwin-Williams
Naval
LRV 4

A 11-point LRV gap (16 vs 4) makes Ruby Red the marginally brighter of the two.

Tranquil Dawn
Ruby Red
Tranquil Dawn
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Ruby Red encloses it.

Bancha
Ruby Red
Bancha
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Bancha
LRV 13

With LRVs of 16 and 13, the two reflect almost the same amount of light.

Hardwick White
Ruby Red
Hardwick White
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Ruby Red encloses it.

Pure White
Ruby Red
Pure White
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 84 vs 16, Pure White is decisively the brighter choice.

Artichoke
Ruby Red
Artichoke
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.

Balboa Mist
Balboa Mist
Ruby Red
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Ruby Red encloses it.

Shoji White
Ruby Red
Shoji White
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Ruby Red encloses it.

Snowbound
Ruby Red
Snowbound
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Ruby Red encloses it.

Pewter Green
Ruby Red
Pewter Green
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Ruby Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Skimming Stone
Ruby Red
Skimming Stone
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Ruby Red encloses it.

Dix Blue
Ruby Red
Dix Blue
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 16, Dix Blue is decisively the brighter choice.

Calamine
Ruby Red
Calamine
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 16, Calamine is decisively the brighter choice.

Treron
Ruby Red
Treron
Benjamin Moore
Ruby Red
2001-10 · LRV 16
Farrow & Ball
Treron
LRV 25

A 9-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.

Vintage Vogue
Ruby Red
Vintage Vogue
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Ruby Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Saybrook Sage
Ruby Red
Saybrook Sage
Benjamin Moore
Ruby Red
2001-10 · LRV 16

Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Ruby Red encloses it.

Pale Green
Ruby Red
Pale Green
Benjamin Moore
Ruby Red
2001-10 · LRV 16
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 16, Pale Green is decisively the brighter choice.

Pine Needle
Ruby Red
Pine Needle
Benjamin Moore
Ruby Red
2001-10 · LRV 16

A 9-point LRV gap (16 vs 7) makes Ruby Red the marginally brighter of the two.

Cement grey
Ruby Red
Cement grey
Benjamin Moore
Ruby Red
2001-10 · LRV 16
RAL ClassicClassic
Cement grey
LRV 24

A 8-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.

Guilford Green
Guilford Green
Ruby Red
Benjamin Moore
Ruby Red
2001-10 · LRV 16

At LRV 57 vs 16, Guilford Green is decisively the brighter choice.