San Francisco Bay vs Soft Jazz
Both from Benjamin Moore's palette. These are both blues, so the question isn't which hue to choose — it's where within blue to land. They have nearly identical light reflectance values (38 vs 37), so they'll read as similarly Medium in most lighting conditions. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
San Francisco Bay vs Soft Jazz Simulated Comparison
5 simulated room previews — drag the slider on each to see San Francisco Bay on one side and Soft Jazz on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More San Francisco Bay comparisons
See how San Francisco Bay stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 38, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 38), opening up a space where San Francisco Bay encloses it.
At LRV 38 vs 6, San Francisco Bay is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 38), opening up a space where San Francisco Bay encloses it.
San Francisco Bay reads slightly lighter (LRV 38 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 38, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 38), opening up a space where San Francisco Bay encloses it.
At LRV 58 vs 38, Accessible Beige is decisively the brighter choice.
A 11-point LRV gap (38 vs 27) makes San Francisco Bay the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 38), a gap that shows most in low-lit rooms.
San Francisco Bay reflects far more light (LRV 38 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 38, Tranquil Dawn is decisively the brighter choice.
At LRV 38 vs 13, San Francisco Bay is decisively the brighter choice.
A 6-point LRV gap (44 vs 38) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 38), opening up a space where San Francisco Bay encloses it.
San Francisco Bay reflects far more light (LRV 38 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 38, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 38, Shoji White is decisively the brighter choice.
At LRV 83 vs 38, Snowbound is decisively the brighter choice.
At LRV 38 vs 12, San Francisco Bay is decisively the brighter choice.
At LRV 68 vs 38, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 38), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 38), opening up a space where San Francisco Bay encloses it.
San Francisco Bay reflects far more light (LRV 38 vs 25), opening up a space where Treron encloses it.
At LRV 38 vs 12, San Francisco Bay is decisively the brighter choice.
A 8-point LRV gap (45 vs 38) makes Saybrook Sage the marginally brighter of the two.
San Francisco Bay reads slightly lighter (LRV 38 vs 31), a gap that shows most in low-lit rooms.
San Francisco Bay reflects far more light (LRV 38 vs 7), opening up a space where Pine Needle encloses it.
San Francisco Bay reflects far more light (LRV 38 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 38), opening up a space where San Francisco Bay encloses it.