Sea to Shining Sea vs Sweet Orange
Both from Benjamin Moore's palette. Hue-wise, Sea to Shining Sea belongs to the blue family and Sweet Orange to the beige family. Sweet Orange (LRV 59) reflects noticeably more light than Sea to Shining Sea (LRV 44), a difference of 15 points that becomes especially apparent in rooms with limited natural light. Sea to Shining Sea runs blue while Sweet Orange is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 81.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sea to Shining Sea vs Sweet Orange Simulated Comparison
5 simulated room previews — drag the slider on each to see Sea to Shining Sea on one side and Sweet Orange on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sea to Shining Sea comparisons
See how Sea to Shining Sea stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 44, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 44), opening up a space where Sea to Shining Sea encloses it.
At LRV 44 vs 6, Sea to Shining Sea is decisively the brighter choice.
Purbeck Stone reads slightly lighter (LRV 52 vs 44), a gap that shows most in low-lit rooms.
Sea to Shining Sea reflects far more light (LRV 44 vs 30), opening up a space where Evergreen Fog encloses it.
A 8-point LRV gap (52 vs 44) makes Mizzle the marginally brighter of the two.
Agreeable Gray reflects far more light (LRV 60 vs 44), opening up a space where Sea to Shining Sea encloses it.
At LRV 58 vs 44, Accessible Beige is decisively the brighter choice.
At LRV 44 vs 27, Sea to Shining Sea is decisively the brighter choice.
With LRVs of 44 and 43, the two reflect almost the same amount of light.
Sea to Shining Sea reflects far more light (LRV 44 vs 4), opening up a space where Naval encloses it.
A 11-point LRV gap (55 vs 44) makes Tranquil Dawn the marginally brighter of the two.
At LRV 44 vs 13, Sea to Shining Sea is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 44 vs 44), so neither reads brighter in a room.
Pure White reflects far more light (LRV 84 vs 44), opening up a space where Sea to Shining Sea encloses it.
Sea to Shining Sea reflects far more light (LRV 44 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 44, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 44, Shoji White is decisively the brighter choice.
At LRV 83 vs 44, Snowbound is decisively the brighter choice.
At LRV 44 vs 12, Sea to Shining Sea is decisively the brighter choice.
At LRV 68 vs 44, Skimming Stone is decisively the brighter choice.
With LRVs of 44 and 41, the two reflect almost the same amount of light.
Calamine reflects far more light (LRV 68 vs 44), opening up a space where Sea to Shining Sea encloses it.
Sea to Shining Sea reflects far more light (LRV 44 vs 25), opening up a space where Treron encloses it.
At LRV 44 vs 12, Sea to Shining Sea is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 45 vs 44), so neither reads brighter in a room.
Sea to Shining Sea reflects far more light (LRV 44 vs 31), opening up a space where Pale Green encloses it.
Sea to Shining Sea reflects far more light (LRV 44 vs 7), opening up a space where Pine Needle encloses it.
Sea to Shining Sea reflects far more light (LRV 44 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 44), opening up a space where Sea to Shining Sea encloses it.