Seabrook vs Studio Clay
Seabrook and Studio Clay come from the same Benjamin Moore collection. Seabrook reads as blue, while Studio Clay reads as greige-grey — two distinct hue families, not close cousins. The 40-point LRV gap — 68 for Seabrook vs 29 for Studio Clay — means Seabrook will open up a space more effectively. Where Seabrook leans blue, Studio Clay reads red — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 33.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Seabrook vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Seabrook on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Seabrook comparisons
See how Seabrook stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Seabrook reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Seabrook reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Seabrook reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 11-point LRV gap (68 vs 58) makes Seabrook the marginally brighter of the two.
At LRV 68 vs 27, Seabrook is decisively the brighter choice.
Seabrook reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Seabrook is decisively the brighter choice.
At LRV 68 vs 44, Seabrook is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Seabrook encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Seabrook is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Seabrook is decisively the brighter choice.
At LRV 68 vs 45, Seabrook is decisively the brighter choice.
Seabrook reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Seabrook reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Seabrook reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Seabrook reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.