Sienna Clay vs Skimming Stone
Where Sienna Clay belongs to Benjamin Moore's range, Skimming Stone is a Farrow & Ball color. Hue-wise, Sienna Clay belongs to the beige family and Skimming Stone to the beige-greige family. Skimming Stone (LRV 68) reflects noticeably more light than Sienna Clay (LRV 24), a difference of 44 points that becomes especially apparent in rooms with limited natural light. Sienna Clay runs red while Skimming Stone is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 45.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sienna Clay vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Sienna Clay on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sienna Clay comparisons
See how Sienna Clay stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 24, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 24), opening up a space where Sienna Clay encloses it.
Sienna Clay reflects far more light (LRV 24 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 24, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (30 vs 24) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 24), opening up a space where Sienna Clay encloses it.
At LRV 60 vs 24, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 24), opening up a space where Sienna Clay encloses it.
With LRVs of 27 and 24, the two reflect almost the same amount of light.
At LRV 43 vs 24, French Gray is decisively the brighter choice.
At LRV 24 vs 4, Sienna Clay is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 24), opening up a space where Sienna Clay encloses it.
Sienna Clay reads slightly lighter (LRV 24 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 24), opening up a space where Sienna Clay encloses it.
At LRV 84 vs 24, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 24), opening up a space where Sienna Clay encloses it.
Shoji White reflects far more light (LRV 74 vs 24), opening up a space where Sienna Clay encloses it.
Snowbound reflects far more light (LRV 83 vs 24), opening up a space where Sienna Clay encloses it.
At LRV 51 vs 24, Pigeon is decisively the brighter choice.
Sienna Clay reflects far more light (LRV 24 vs 12), opening up a space where Pewter Green encloses it.
Sienna Clay reflects far more light (LRV 24 vs 8), opening up a space where Duck Green encloses it.
At LRV 41 vs 24, Dix Blue is decisively the brighter choice.
Sienna Clay reflects far more light (LRV 24 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 24), opening up a space where Sienna Clay encloses it.
A 7-point LRV gap (31 vs 24) makes Pale Green the marginally brighter of the two.
At LRV 24 vs 7, Sienna Clay is decisively the brighter choice.