
Slate Blue vs Chicago Skyline
Slate Blue is a Benjamin Moore color while Chicago Skyline comes from Cloverdale Paint. These are both blues, so the question isn't which hue to choose — it's where within blue to land. With LRVs of 43 and 42, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 0.9, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Slate Blue vs Chicago Skyline in Real Spaces
1 real room side by side. Slate Blue and Chicago Skyline are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Slate Blue vs Chicago Skyline Simulated Comparison
5 simulated room previews — drag the slider on each to see Slate Blue on one side and Chicago Skyline on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Slate Blue comparisons
See how Slate Blue stacks up against other well-photographed colors across different brands and tones.


At LRV 69 vs 43, Ammonite is decisively the brighter choice.


White Dove reflects far more light (LRV 83 vs 43), opening up a space where Slate Blue encloses it.


Slate Blue reflects far more light (LRV 43 vs 6), opening up a space where Iron Ore encloses it.


A 9-point LRV gap (52 vs 43) makes Purbeck Stone the marginally brighter of the two.


At LRV 43 vs 30, Slate Blue is decisively the brighter choice.


Mizzle reads slightly lighter (LRV 52 vs 43), a gap that shows most in low-lit rooms.


At LRV 60 vs 43, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 43), opening up a space where Slate Blue encloses it.


Slate Blue reflects far more light (LRV 43 vs 27), opening up a space where Denim Drift encloses it.


Their light reflectance is nearly identical (LRV 43 vs 43), so neither reads brighter in a room.


At LRV 43 vs 4, Slate Blue is decisively the brighter choice.


Tranquil Dawn reads slightly lighter (LRV 55 vs 43), a gap that shows most in low-lit rooms.


Slate Blue reflects far more light (LRV 43 vs 13), opening up a space where Bancha encloses it.


With LRVs of 44 and 43, the two reflect almost the same amount of light.


At LRV 84 vs 43, Pure White is decisively the brighter choice.


At LRV 43 vs 21, Slate Blue is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 43), opening up a space where Slate Blue encloses it.


Shoji White reflects far more light (LRV 74 vs 43), opening up a space where Slate Blue encloses it.


Snowbound reflects far more light (LRV 83 vs 43), opening up a space where Slate Blue encloses it.


A 7-point LRV gap (51 vs 43) makes Pigeon the marginally brighter of the two.


Slate Blue reflects far more light (LRV 43 vs 12), opening up a space where Pewter Green encloses it.


Slate Blue reflects far more light (LRV 43 vs 8), opening up a space where Duck Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 43), opening up a space where Slate Blue encloses it.


Their light reflectance is nearly identical (LRV 43 vs 41), so neither reads brighter in a room.


Slate Blue reflects far more light (LRV 43 vs 12), opening up a space where Vintage Vogue encloses it.


With LRVs of 45 and 43, the two reflect almost the same amount of light.


A 12-point LRV gap (43 vs 31) makes Slate Blue the marginally brighter of the two.














