Snow on the Mountain vs Mizzle
Where Snow on the Mountain belongs to Benjamin Moore's range, Mizzle is a Farrow & Ball color. Hue-wise, Snow on the Mountain belongs to the beige-yellow family and Mizzle to the grey family. Snow on the Mountain (LRV 80) reflects noticeably more light than Mizzle (LRV 52), a difference of 28 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 15.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Snow on the Mountain vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Snow on the Mountain on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Snow on the Mountain comparisons
See how Snow on the Mountain stacks up against other well-photographed colors across different brands and tones.
A 11-point LRV gap (80 vs 69) makes Snow on the Mountain the marginally brighter of the two.
White Dove reads slightly lighter (LRV 83 vs 80), a gap that shows most in low-lit rooms.
Snow on the Mountain reflects far more light (LRV 80 vs 6), opening up a space where Iron Ore encloses it.
At LRV 80 vs 52, Snow on the Mountain is decisively the brighter choice.
At LRV 80 vs 30, Snow on the Mountain is decisively the brighter choice.
At LRV 80 vs 60, Snow on the Mountain is decisively the brighter choice.
Snow on the Mountain reflects far more light (LRV 80 vs 58), opening up a space where Accessible Beige encloses it.
Snow on the Mountain reflects far more light (LRV 80 vs 27), opening up a space where Denim Drift encloses it.
At LRV 80 vs 43, Snow on the Mountain is decisively the brighter choice.
At LRV 80 vs 4, Snow on the Mountain is decisively the brighter choice.
Snow on the Mountain reflects far more light (LRV 80 vs 55), opening up a space where Tranquil Dawn encloses it.
Snow on the Mountain reflects far more light (LRV 80 vs 13), opening up a space where Bancha encloses it.
Snow on the Mountain reflects far more light (LRV 80 vs 44), opening up a space where Hardwick White encloses it.
A 4-point LRV gap (84 vs 80) makes Pure White the marginally brighter of the two.
At LRV 80 vs 21, Snow on the Mountain is decisively the brighter choice.
Snow on the Mountain reflects far more light (LRV 80 vs 66), opening up a space where Balboa Mist encloses it.
Snow on the Mountain reads slightly lighter (LRV 80 vs 74), a gap that shows most in low-lit rooms.
With LRVs of 83 and 80, the two reflect almost the same amount of light.
At LRV 80 vs 51, Snow on the Mountain is decisively the brighter choice.
Snow on the Mountain reflects far more light (LRV 80 vs 12), opening up a space where Pewter Green encloses it.
Snow on the Mountain reflects far more light (LRV 80 vs 8), opening up a space where Duck Green encloses it.
Snow on the Mountain reads slightly lighter (LRV 80 vs 68), a gap that shows most in low-lit rooms.
At LRV 80 vs 41, Snow on the Mountain is decisively the brighter choice.
Snow on the Mountain reflects far more light (LRV 80 vs 12), opening up a space where Vintage Vogue encloses it.
Snow on the Mountain reflects far more light (LRV 80 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 80 vs 31, Snow on the Mountain is decisively the brighter choice.
At LRV 80 vs 7, Snow on the Mountain is decisively the brighter choice.