Somerville Red vs Shoji White
Somerville Red (Benjamin Moore) and Shoji White (Sherwin-Williams) come from different manufacturers. Hue-wise, Somerville Red belongs to the pink-red family and Shoji White to the beige-greige family. The 55-point LRV gap — 74 for Shoji White vs 19 for Somerville Red — means Shoji White will open up a space more effectively. Where Somerville Red leans red, Shoji White reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 42.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Somerville Red vs Shoji White in Real Spaces
2 real rooms side by side. Seeing Somerville Red and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Shoji White reflects noticeably more light off the walls, making the space read more open than Somerville Red.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Somerville Red would.
Color Details
Somerville Red vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Somerville Red on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Somerville Red comparisons
See how Somerville Red stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 19, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 19), opening up a space where Somerville Red encloses it.
At LRV 19 vs 6, Somerville Red is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where Somerville Red encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.
At LRV 52 vs 19, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 19), opening up a space where Somerville Red encloses it.
At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 19), opening up a space where Somerville Red encloses it.
Somerville Red reflects far more light (LRV 19 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.
A 6-point LRV gap (19 vs 13) makes Somerville Red the marginally brighter of the two.
At LRV 44 vs 19, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 19), opening up a space where Somerville Red encloses it.
With LRVs of 21 and 19, the two reflect almost the same amount of light.
At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.
At LRV 83 vs 19, Snowbound is decisively the brighter choice.
A 8-point LRV gap (19 vs 12) makes Somerville Red the marginally brighter of the two.
At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 19), opening up a space where Somerville Red encloses it.
Calamine reflects far more light (LRV 68 vs 19), opening up a space where Somerville Red encloses it.
Treron reads slightly lighter (LRV 25 vs 19), a gap that shows most in low-lit rooms.
A 8-point LRV gap (19 vs 12) makes Somerville Red the marginally brighter of the two.
At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 19), a gap that shows most in low-lit rooms.
Somerville Red reflects far more light (LRV 19 vs 7), opening up a space where Pine Needle encloses it.
Cement grey reads slightly lighter (LRV 24 vs 19), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 19), opening up a space where Somerville Red encloses it.
Just Walnut reflects far more light (LRV 72 vs 19), opening up a space where Somerville Red encloses it.