Sonoma Clay vs Agreeable Gray
Where Sonoma Clay belongs to Benjamin Moore's range, Agreeable Gray is a Sherwin-Williams color. Hue-wise, Sonoma Clay belongs to the pink family and Agreeable Gray to the greige-grey family. Agreeable Gray (LRV 60) reflects noticeably more light than Sonoma Clay (LRV 49), a difference of 11 points that becomes especially apparent in rooms with limited natural light. Sonoma Clay runs red while Agreeable Gray is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 9.2 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sonoma Clay vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Sonoma Clay on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sonoma Clay comparisons
See how Sonoma Clay stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 49), opening up a space where Sonoma Clay encloses it.
At LRV 83 vs 49, White Dove is decisively the brighter choice.
At LRV 49 vs 6, Sonoma Clay is decisively the brighter choice.
With LRVs of 52 and 49, the two reflect almost the same amount of light.
Sonoma Clay reflects far more light (LRV 49 vs 30), opening up a space where Evergreen Fog encloses it.
Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.
A 8-point LRV gap (58 vs 49) makes Accessible Beige the marginally brighter of the two.
At LRV 49 vs 27, Sonoma Clay is decisively the brighter choice.
Sonoma Clay reads slightly lighter (LRV 49 vs 43), a gap that shows most in low-lit rooms.
Sonoma Clay reflects far more light (LRV 49 vs 4), opening up a space where Naval encloses it.
A 6-point LRV gap (55 vs 49) makes Tranquil Dawn the marginally brighter of the two.
At LRV 49 vs 13, Sonoma Clay is decisively the brighter choice.
A 6-point LRV gap (49 vs 44) makes Sonoma Clay the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 49), opening up a space where Sonoma Clay encloses it.
Sonoma Clay reflects far more light (LRV 49 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 49, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 49, Shoji White is decisively the brighter choice.
At LRV 83 vs 49, Snowbound is decisively the brighter choice.
With LRVs of 51 and 49, the two reflect almost the same amount of light.
At LRV 49 vs 12, Sonoma Clay is decisively the brighter choice.
At LRV 49 vs 8, Sonoma Clay is decisively the brighter choice.
At LRV 68 vs 49, Skimming Stone is decisively the brighter choice.
Sonoma Clay reads slightly lighter (LRV 49 vs 41), a gap that shows most in low-lit rooms.
At LRV 49 vs 12, Sonoma Clay is decisively the brighter choice.
A 4-point LRV gap (49 vs 45) makes Sonoma Clay the marginally brighter of the two.
Sonoma Clay reflects far more light (LRV 49 vs 31), opening up a space where Pale Green encloses it.
Sonoma Clay reflects far more light (LRV 49 vs 7), opening up a space where Pine Needle encloses it.