Spring Flowers vs Skimming Stone
Spring Flowers is a Benjamin Moore color while Skimming Stone comes from Farrow & Ball. Hue-wise, Spring Flowers belongs to the blue family and Skimming Stone to the beige-greige family. At LRV 68 vs 61, Skimming Stone will read as the brighter of the two — a 7-point gap that matters most in north-facing or low-light rooms. The tonal difference — Spring Flowers's blue character against Skimming Stone's warm — becomes most visible against white trim or in morning light. At ΔE 17.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Spring Flowers vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring Flowers on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring Flowers comparisons
See how Spring Flowers stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 61, White Dove is decisively the brighter choice.

Ammonite reads slightly lighter (LRV 69 vs 61), a gap that shows most in low-lit rooms.

At LRV 61 vs 6, Spring Flowers is decisively the brighter choice.

Spring Flowers reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.

Spring Flowers reflects far more light (LRV 61 vs 30), opening up a space where Evergreen Fog encloses it.

A 9-point LRV gap (61 vs 52) makes Spring Flowers the marginally brighter of the two.

With LRVs of 61 and 60, the two reflect almost the same amount of light.

A 3-point LRV gap (61 vs 58) makes Spring Flowers the marginally brighter of the two.

At LRV 61 vs 27, Spring Flowers is decisively the brighter choice.

Spring Flowers reflects far more light (LRV 61 vs 43), opening up a space where French Gray encloses it.

Spring Flowers reflects far more light (LRV 61 vs 4), opening up a space where Naval encloses it.

A 6-point LRV gap (61 vs 55) makes Spring Flowers the marginally brighter of the two.

At LRV 61 vs 13, Spring Flowers is decisively the brighter choice.

At LRV 61 vs 44, Spring Flowers is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 61), opening up a space where Spring Flowers encloses it.

Spring Flowers reflects far more light (LRV 61 vs 21), opening up a space where Artichoke encloses it.

A 5-point LRV gap (66 vs 61) makes Balboa Mist the marginally brighter of the two.

At LRV 74 vs 61, Shoji White is decisively the brighter choice.

At LRV 83 vs 61, Snowbound is decisively the brighter choice.

At LRV 61 vs 12, Spring Flowers is decisively the brighter choice.

Spring Flowers reflects far more light (LRV 61 vs 41), opening up a space where Dix Blue encloses it.

Calamine reads slightly lighter (LRV 68 vs 61), a gap that shows most in low-lit rooms.

Spring Flowers reflects far more light (LRV 61 vs 25), opening up a space where Treron encloses it.

At LRV 61 vs 12, Spring Flowers is decisively the brighter choice.

At LRV 61 vs 45, Spring Flowers is decisively the brighter choice.

Spring Flowers reflects far more light (LRV 61 vs 31), opening up a space where Pale Green encloses it.

Spring Flowers reflects far more light (LRV 61 vs 7), opening up a space where Pine Needle encloses it.

Spring Flowers reflects far more light (LRV 61 vs 24), opening up a space where Cement grey encloses it.

Spring Flowers reads slightly lighter (LRV 61 vs 57), a gap that shows most in low-lit rooms.

Just Walnut reads slightly lighter (LRV 72 vs 61), a gap that shows most in low-lit rooms.









