Spring in Aspen vs Weathered Oak
Both from Benjamin Moore's palette. Hue-wise, Spring in Aspen belongs to the beige family and Weathered Oak to the beige-red family. Spring in Aspen (LRV 71) reflects noticeably more light than Weathered Oak (LRV 15), a difference of 56 points that becomes especially apparent in rooms with limited natural light. Spring in Aspen runs warm while Weathered Oak is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 44.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Spring in Aspen vs Weathered Oak Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring in Aspen on one side and Weathered Oak on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring in Aspen comparisons
See how Spring in Aspen stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 71 vs 69), so neither reads brighter in a room.
White Dove reflects far more light (LRV 83 vs 71), opening up a space where Spring in Aspen encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 6), opening up a space where Iron Ore encloses it.
At LRV 71 vs 52, Spring in Aspen is decisively the brighter choice.
At LRV 71 vs 30, Spring in Aspen is decisively the brighter choice.
Spring in Aspen reflects far more light (LRV 71 vs 52), opening up a space where Mizzle encloses it.
A 11-point LRV gap (71 vs 60) makes Spring in Aspen the marginally brighter of the two.
Spring in Aspen reflects far more light (LRV 71 vs 58), opening up a space where Accessible Beige encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 27), opening up a space where Denim Drift encloses it.
At LRV 71 vs 43, Spring in Aspen is decisively the brighter choice.
At LRV 71 vs 4, Spring in Aspen is decisively the brighter choice.
Spring in Aspen reflects far more light (LRV 71 vs 55), opening up a space where Tranquil Dawn encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 13), opening up a space where Bancha encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 71, Pure White is decisively the brighter choice.
At LRV 71 vs 21, Spring in Aspen is decisively the brighter choice.
Spring in Aspen reads slightly lighter (LRV 71 vs 66), a gap that shows most in low-lit rooms.
Shoji White reads slightly lighter (LRV 74 vs 71), a gap that shows most in low-lit rooms.
Snowbound reads slightly lighter (LRV 83 vs 71), a gap that shows most in low-lit rooms.
At LRV 71 vs 51, Spring in Aspen is decisively the brighter choice.
Spring in Aspen reflects far more light (LRV 71 vs 12), opening up a space where Pewter Green encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 8), opening up a space where Duck Green encloses it.
With LRVs of 71 and 68, the two reflect almost the same amount of light.
At LRV 71 vs 41, Spring in Aspen is decisively the brighter choice.
Spring in Aspen reflects far more light (LRV 71 vs 12), opening up a space where Vintage Vogue encloses it.
Spring in Aspen reflects far more light (LRV 71 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 71 vs 31, Spring in Aspen is decisively the brighter choice.