Spring Rain vs Blue Ground
Spring Rain is a Benjamin Moore color while Blue Ground comes from Farrow & Ball. These are both blues, so the question isn't which hue to choose — it's where within blue to land. At LRV 60 vs 49, Spring Rain will read as the brighter of the two — a 11-point gap that matters most in north-facing or low-light rooms. The tonal difference — Spring Rain's blue character against Blue Ground's cool — becomes most visible against white trim or in morning light. At ΔE 5.0, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Spring Rain vs Blue Ground Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring Rain on one side and Blue Ground on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring Rain comparisons
See how Spring Rain stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
At LRV 60 vs 6, Spring Rain is decisively the brighter choice.
Spring Rain reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Spring Rain reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (60 vs 52) makes Spring Rain the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Spring Rain is decisively the brighter choice.
Spring Rain reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Spring Rain reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Spring Rain the marginally brighter of the two.
At LRV 60 vs 13, Spring Rain is decisively the brighter choice.
At LRV 60 vs 44, Spring Rain is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Spring Rain encloses it.
Spring Rain reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
Spring Rain reads slightly lighter (LRV 60 vs 51), a gap that shows most in low-lit rooms.
At LRV 60 vs 12, Spring Rain is decisively the brighter choice.
At LRV 60 vs 8, Spring Rain is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Spring Rain reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
At LRV 60 vs 12, Spring Rain is decisively the brighter choice.
At LRV 60 vs 45, Spring Rain is decisively the brighter choice.
Spring Rain reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.