Spring Sky vs Artichoke
Spring Sky is a Benjamin Moore color while Artichoke comes from Sherwin-Williams. Spring Sky reads as blue, while Artichoke reads as grey — two distinct hue families, not close cousins. At LRV 63 vs 21, Spring Sky will read as the brighter of the two — a 41-point gap that matters most in north-facing or low-light rooms. The tonal difference — Spring Sky's blue character against Artichoke's neutral — becomes most visible against white trim or in morning light. At ΔE 34.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Spring Sky vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring Sky on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring Sky comparisons
See how Spring Sky stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 63, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 6, Spring Sky is decisively the brighter choice.
Spring Sky reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Spring Sky reflects far more light (LRV 63 vs 30), opening up a space where Evergreen Fog encloses it.
A 11-point LRV gap (63 vs 52) makes Spring Sky the marginally brighter of the two.
With LRVs of 63 and 60, the two reflect almost the same amount of light.
A 5-point LRV gap (63 vs 58) makes Spring Sky the marginally brighter of the two.
At LRV 63 vs 27, Spring Sky is decisively the brighter choice.
Spring Sky reflects far more light (LRV 63 vs 43), opening up a space where French Gray encloses it.
Spring Sky reflects far more light (LRV 63 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (63 vs 55) makes Spring Sky the marginally brighter of the two.
At LRV 63 vs 13, Spring Sky is decisively the brighter choice.
At LRV 63 vs 44, Spring Sky is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 63), opening up a space where Spring Sky encloses it.
Their light reflectance is nearly identical (LRV 66 vs 63), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 63) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 63, Snowbound is decisively the brighter choice.
At LRV 63 vs 12, Spring Sky is decisively the brighter choice.
A 5-point LRV gap (68 vs 63) makes Skimming Stone the marginally brighter of the two.
Spring Sky reflects far more light (LRV 63 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
Spring Sky reflects far more light (LRV 63 vs 25), opening up a space where Treron encloses it.
At LRV 63 vs 12, Spring Sky is decisively the brighter choice.
At LRV 63 vs 45, Spring Sky is decisively the brighter choice.
Spring Sky reflects far more light (LRV 63 vs 31), opening up a space where Pale Green encloses it.
Spring Sky reflects far more light (LRV 63 vs 7), opening up a space where Pine Needle encloses it.
Spring Sky reflects far more light (LRV 63 vs 24), opening up a space where Cement grey encloses it.
Spring Sky reads slightly lighter (LRV 63 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 63), a gap that shows most in low-lit rooms.