Spring Thaw vs Mizzle
Where Spring Thaw belongs to Benjamin Moore's range, Mizzle is a Farrow & Ball color. Hue-wise, Spring Thaw belongs to the beige-greige family and Mizzle to the grey family. Spring Thaw (LRV 62) reflects noticeably more light than Mizzle (LRV 52), a difference of 10 points that becomes especially apparent in rooms with limited natural light. Spring Thaw runs yellow while Mizzle is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 5.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Spring Thaw vs Mizzle in Real Spaces
3 real rooms side by side. Spring Thaw and Mizzle are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Spring Thaw will make the room feel meaningfully brighter than Mizzle would.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Spring Thaw reflects noticeably more light off the walls, making the space read more open than Mizzle.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Spring Thaw reflects noticeably more light off the walls, making the space read more open than Mizzle.
Color Details
Spring Thaw vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring Thaw on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring Thaw comparisons
See how Spring Thaw stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 62, White Dove is decisively the brighter choice.


Ammonite reads slightly lighter (LRV 69 vs 62), a gap that shows most in low-lit rooms.


At LRV 62 vs 6, Spring Thaw is decisively the brighter choice.


Spring Thaw reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.


Spring Thaw reflects far more light (LRV 62 vs 30), opening up a space where Evergreen Fog encloses it.


With LRVs of 62 and 60, the two reflect almost the same amount of light.


A 4-point LRV gap (62 vs 58) makes Spring Thaw the marginally brighter of the two.


At LRV 62 vs 27, Spring Thaw is decisively the brighter choice.


Spring Thaw reflects far more light (LRV 62 vs 43), opening up a space where French Gray encloses it.


Spring Thaw reflects far more light (LRV 62 vs 4), opening up a space where Naval encloses it.


A 7-point LRV gap (62 vs 55) makes Spring Thaw the marginally brighter of the two.


At LRV 62 vs 13, Spring Thaw is decisively the brighter choice.


At LRV 62 vs 44, Spring Thaw is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 62), opening up a space where Spring Thaw encloses it.


Spring Thaw reflects far more light (LRV 62 vs 21), opening up a space where Artichoke encloses it.


A 4-point LRV gap (66 vs 62) makes Balboa Mist the marginally brighter of the two.


At LRV 74 vs 62, Shoji White is decisively the brighter choice.


At LRV 83 vs 62, Snowbound is decisively the brighter choice.


At LRV 62 vs 12, Spring Thaw is decisively the brighter choice.


A 6-point LRV gap (68 vs 62) makes Skimming Stone the marginally brighter of the two.


Spring Thaw reflects far more light (LRV 62 vs 41), opening up a space where Dix Blue encloses it.


Calamine reads slightly lighter (LRV 68 vs 62), a gap that shows most in low-lit rooms.


Spring Thaw reflects far more light (LRV 62 vs 25), opening up a space where Treron encloses it.


At LRV 62 vs 12, Spring Thaw is decisively the brighter choice.


At LRV 62 vs 45, Spring Thaw is decisively the brighter choice.


Spring Thaw reflects far more light (LRV 62 vs 31), opening up a space where Pale Green encloses it.


Spring Thaw reflects far more light (LRV 62 vs 7), opening up a space where Pine Needle encloses it.


Spring Thaw reflects far more light (LRV 62 vs 24), opening up a space where Cement grey encloses it.


Spring Thaw reads slightly lighter (LRV 62 vs 57), a gap that shows most in low-lit rooms.


Just Walnut reads slightly lighter (LRV 72 vs 62), a gap that shows most in low-lit rooms.














