St. John's Bay vs Palm
St. John's Bay (Benjamin Moore) and Palm (Farrow & Ball) come from different manufacturers. Both sit in the green family, which is useful context if you're narrowing within a single hue direction. The 8-point LRV gap — 67 for St. John's Bay vs 58 for Palm — means St. John's Bay will open up a space more effectively. Where St. John's Bay leans cool, Palm reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 12.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
St. John's Bay vs Palm Simulated Comparison
5 simulated room previews — drag the slider on each to see St. John's Bay on one side and Palm on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More St. John's Bay comparisons
See how St. John's Bay stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 67), opening up a space where St. John's Bay encloses it.
Their light reflectance is nearly identical (LRV 69 vs 67), so neither reads brighter in a room.
St. John's Bay reflects far more light (LRV 67 vs 6), opening up a space where Iron Ore encloses it.
At LRV 67 vs 52, St. John's Bay is decisively the brighter choice.
At LRV 67 vs 30, St. John's Bay is decisively the brighter choice.
St. John's Bay reflects far more light (LRV 67 vs 52), opening up a space where Mizzle encloses it.
A 6-point LRV gap (67 vs 60) makes St. John's Bay the marginally brighter of the two.
St. John's Bay reads slightly lighter (LRV 67 vs 58), a gap that shows most in low-lit rooms.
St. John's Bay reflects far more light (LRV 67 vs 27), opening up a space where Denim Drift encloses it.
At LRV 67 vs 43, St. John's Bay is decisively the brighter choice.
At LRV 67 vs 4, St. John's Bay is decisively the brighter choice.
St. John's Bay reads slightly lighter (LRV 67 vs 55), a gap that shows most in low-lit rooms.
St. John's Bay reflects far more light (LRV 67 vs 13), opening up a space where Bancha encloses it.
St. John's Bay reflects far more light (LRV 67 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 67, Pure White is decisively the brighter choice.
At LRV 67 vs 21, St. John's Bay is decisively the brighter choice.
With LRVs of 67 and 66, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 67), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 67), opening up a space where St. John's Bay encloses it.
St. John's Bay reflects far more light (LRV 67 vs 12), opening up a space where Pewter Green encloses it.
With LRVs of 68 and 67, the two reflect almost the same amount of light.
At LRV 67 vs 41, St. John's Bay is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 67), so neither reads brighter in a room.
At LRV 67 vs 25, St. John's Bay is decisively the brighter choice.
St. John's Bay reflects far more light (LRV 67 vs 12), opening up a space where Vintage Vogue encloses it.
St. John's Bay reflects far more light (LRV 67 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 67 vs 31, St. John's Bay is decisively the brighter choice.
At LRV 67 vs 7, St. John's Bay is decisively the brighter choice.
At LRV 67 vs 24, St. John's Bay is decisively the brighter choice.
A 10-point LRV gap (67 vs 57) makes St. John's Bay the marginally brighter of the two.