Stoneware vs Ammonite
Stoneware is a Benjamin Moore color while Ammonite comes from Farrow & Ball. Hue-wise, Stoneware belongs to the beige-yellow family and Ammonite to the beige-greige family. At LRV 81 vs 69, Stoneware will read as the brighter of the two — a 12-point gap that matters most in north-facing or low-light rooms. The tonal difference — Stoneware's yellow character against Ammonite's warm — becomes most visible against white trim or in morning light. At ΔE 6.9, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Stoneware vs Ammonite in Real Spaces
2 real rooms side by side. Stoneware and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Stoneware will make the room feel meaningfully brighter than Ammonite would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Stoneware reflects noticeably more light off the walls, making the space read more open than Ammonite.
Color Details
Stoneware vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Stoneware on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stoneware comparisons
See how Stoneware stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.
Stoneware reflects far more light (LRV 81 vs 52), opening up a space where Purbeck Stone encloses it.
Stoneware reflects far more light (LRV 81 vs 30), opening up a space where Evergreen Fog encloses it.
Stoneware reflects far more light (LRV 81 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 81 vs 58, Stoneware is decisively the brighter choice.
At LRV 81 vs 27, Stoneware is decisively the brighter choice.
Stoneware reflects far more light (LRV 81 vs 43), opening up a space where French Gray encloses it.
At LRV 81 vs 55, Stoneware is decisively the brighter choice.
At LRV 81 vs 44, Stoneware is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 81), a gap that shows most in low-lit rooms.
At LRV 81 vs 66, Stoneware is decisively the brighter choice.
A 6-point LRV gap (81 vs 74) makes Stoneware the marginally brighter of the two.
At LRV 81 vs 12, Stoneware is decisively the brighter choice.
At LRV 81 vs 68, Stoneware is decisively the brighter choice.
At LRV 81 vs 12, Stoneware is decisively the brighter choice.
At LRV 81 vs 45, Stoneware is decisively the brighter choice.
Stoneware reflects far more light (LRV 81 vs 31), opening up a space where Pale Green encloses it.
Stoneware reflects far more light (LRV 81 vs 7), opening up a space where Pine Needle encloses it.
Stoneware reflects far more light (LRV 81 vs 24), opening up a space where Cement grey encloses it.
Stoneware reflects far more light (LRV 81 vs 57), opening up a space where Guilford Green encloses it.
Stoneware reads slightly lighter (LRV 81 vs 72), a gap that shows most in low-lit rooms.