Stonington Gray vs Purbeck Stone
Stonington Gray (Benjamin Moore) and Purbeck Stone (Farrow & Ball) come from different manufacturers. Stonington Gray reads as grey, while Purbeck Stone reads as greige-grey — two distinct hue families, not close cousins. The 7-point LRV gap — 59 for Stonington Gray vs 52 for Purbeck Stone — means Stonington Gray will open up a space more effectively. Where Stonington Gray leans yellow, Purbeck Stone reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 5.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Stonington Gray vs Purbeck Stone in Real Spaces
6 real rooms side by side. Stonington Gray and Purbeck Stone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Stonington Gray reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Stonington Gray has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Stonington Gray has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Stonington Gray gives the walls a little more lift.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Stonington Gray has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Stonington Gray has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Stonington Gray vs Purbeck Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Stonington Gray on one side and Purbeck Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stonington Gray comparisons
See how Stonington Gray stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Stonington Gray encloses it.
Stonington Gray reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
At LRV 59 vs 30, Stonington Gray is decisively the brighter choice.
Stonington Gray reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Stonington Gray reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Stonington Gray is decisively the brighter choice.
At LRV 59 vs 4, Stonington Gray is decisively the brighter choice.
Stonington Gray reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Stonington Gray reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Stonington Gray reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Stonington Gray is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Stonington Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Stonington Gray encloses it.
A 9-point LRV gap (59 vs 51) makes Stonington Gray the marginally brighter of the two.
Stonington Gray reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Stonington Gray reflects far more light (LRV 59 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Stonington Gray is decisively the brighter choice.
Stonington Gray reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Stonington Gray reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Stonington Gray is decisively the brighter choice.
At LRV 59 vs 7, Stonington Gray is decisively the brighter choice.