Stormy Monday vs Pine Needle
Stormy Monday is a Benjamin Moore color while Pine Needle comes from Dulux. Stormy Monday reads as grey, while Pine Needle reads as green — two distinct hue families, not close cousins. At LRV 41 vs 7, Stormy Monday will read as the brighter of the two — a 34-point gap that matters most in north-facing or low-light rooms. The tonal difference — Stormy Monday's red character against Pine Needle's cool — becomes most visible against white trim or in morning light. At ΔE 44.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Stormy Monday vs Pine Needle Simulated Comparison
5 simulated room previews — drag the slider on each to see Stormy Monday on one side and Pine Needle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stormy Monday comparisons
See how Stormy Monday stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 41), opening up a space where Stormy Monday encloses it.


At LRV 69 vs 41, Ammonite is decisively the brighter choice.


Stormy Monday reflects far more light (LRV 41 vs 6), opening up a space where Iron Ore encloses it.


A 11-point LRV gap (52 vs 41) makes Purbeck Stone the marginally brighter of the two.


A 10-point LRV gap (41 vs 30) makes Stormy Monday the marginally brighter of the two.


Mizzle reads slightly lighter (LRV 52 vs 41), a gap that shows most in low-lit rooms.


At LRV 60 vs 41, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 41), opening up a space where Stormy Monday encloses it.


Stormy Monday reflects far more light (LRV 41 vs 27), opening up a space where Denim Drift encloses it.


Their light reflectance is nearly identical (LRV 43 vs 41), so neither reads brighter in a room.


At LRV 41 vs 4, Stormy Monday is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 41), opening up a space where Stormy Monday encloses it.


Stormy Monday reflects far more light (LRV 41 vs 13), opening up a space where Bancha encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 41), a gap that shows most in low-lit rooms.


At LRV 84 vs 41, Pure White is decisively the brighter choice.


At LRV 41 vs 21, Stormy Monday is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 41), opening up a space where Stormy Monday encloses it.


Shoji White reflects far more light (LRV 74 vs 41), opening up a space where Stormy Monday encloses it.


Snowbound reflects far more light (LRV 83 vs 41), opening up a space where Stormy Monday encloses it.


Stormy Monday reflects far more light (LRV 41 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 41), opening up a space where Stormy Monday encloses it.


Their light reflectance is nearly identical (LRV 41 vs 41), so neither reads brighter in a room.


At LRV 68 vs 41, Calamine is decisively the brighter choice.


At LRV 41 vs 25, Stormy Monday is decisively the brighter choice.


Stormy Monday reflects far more light (LRV 41 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reads slightly lighter (LRV 45 vs 41), a gap that shows most in low-lit rooms.


A 9-point LRV gap (41 vs 31) makes Stormy Monday the marginally brighter of the two.


At LRV 41 vs 24, Stormy Monday is decisively the brighter choice.


At LRV 57 vs 41, Guilford Green is decisively the brighter choice.


At LRV 72 vs 41, Just Walnut is decisively the brighter choice.









