Strawberry Red vs Calypso Berry paint color comparison

Strawberry Red vs Calypso Berry

Strawberry RedBenjamin MoorevsCalypso BerryPPGΔE 8.5Noticeable difference

Strawberry Red (Benjamin Moore) and Calypso Berry (PPG) come from different manufacturers. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Their light reflectance values are nearly the same — 16 vs 15 — so neither will read significantly brighter or darker than the other. ΔE 8.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Strawberry Red
Benjamin Moore · 2003-20
Hex#C33D3D
LRV15.5
BrandBenjamin Moore
Number2003-20
UndertoneRed
TemperatureWarm
BrightnessDark
Calypso Berry
PPG · PPG1185-7
Hex#c53a4b
LRV15.0
BrandPPG
NumberPPG1185-7
Undertone
Temperature
BrightnessDark

Strawberry Red vs Calypso Berry Simulated Comparison

5 simulated room previews — drag the slider on each to see Strawberry Red on one side and Calypso Berry on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Strawberry Red comparisons

See how Strawberry Red stacks up against other well-photographed colors across different brands and tones.

White Dove
Strawberry Red
White Dove
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

White Dove reflects far more light (LRV 83 vs 16), opening up a space where Strawberry Red encloses it.

Ammonite
Strawberry Red
Ammonite
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 16, Ammonite is decisively the brighter choice.

Iron Ore
Strawberry Red
Iron Ore
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Strawberry Red reads slightly lighter (LRV 16 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Strawberry Red
Purbeck Stone
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Strawberry Red
Evergreen Fog
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.

Mizzle
Strawberry Red
Mizzle
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 16), opening up a space where Strawberry Red encloses it.

Agreeable Gray
Strawberry Red
Agreeable Gray
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Strawberry Red
Accessible Beige
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Strawberry Red encloses it.

Denim Drift
Strawberry Red
Denim Drift
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.

French Gray
Strawberry Red
French Gray
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 43 vs 16, French Gray is decisively the brighter choice.

Naval
Strawberry Red
Naval
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Sherwin-Williams
Naval
LRV 4

A 11-point LRV gap (16 vs 4) makes Strawberry Red the marginally brighter of the two.

Tranquil Dawn
Strawberry Red
Tranquil Dawn
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Strawberry Red encloses it.

Bancha
Strawberry Red
Bancha
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Bancha
LRV 13

With LRVs of 16 and 13, the two reflect almost the same amount of light.

Hardwick White
Strawberry Red
Hardwick White
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Strawberry Red encloses it.

Pure White
Strawberry Red
Pure White
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 84 vs 16, Pure White is decisively the brighter choice.

Artichoke
Strawberry Red
Artichoke
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (21 vs 16) makes Artichoke the marginally brighter of the two.

Balboa Mist
Balboa Mist
Strawberry Red
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Strawberry Red encloses it.

Shoji White
Strawberry Red
Shoji White
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Strawberry Red encloses it.

Snowbound
Strawberry Red
Snowbound
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 16), opening up a space where Strawberry Red encloses it.

Pewter Green
Strawberry Red
Pewter Green
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Strawberry Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Skimming Stone
Strawberry Red
Skimming Stone
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Strawberry Red encloses it.

Dix Blue
Strawberry Red
Dix Blue
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 16, Dix Blue is decisively the brighter choice.

Calamine
Strawberry Red
Calamine
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 16, Calamine is decisively the brighter choice.

Treron
Strawberry Red
Treron
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
Farrow & Ball
Treron
LRV 25

A 9-point LRV gap (25 vs 16) makes Treron the marginally brighter of the two.

Vintage Vogue
Strawberry Red
Vintage Vogue
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Strawberry Red reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.

Saybrook Sage
Saybrook Sage
Strawberry Red
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Strawberry Red encloses it.

Pale Green
Strawberry Red
Pale Green
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 16, Pale Green is decisively the brighter choice.

Pine Needle
Strawberry Red
Pine Needle
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

A 9-point LRV gap (16 vs 7) makes Strawberry Red the marginally brighter of the two.

Cement grey
Strawberry Red
Cement grey
Benjamin Moore
Strawberry Red
2003-20 · LRV 16
RAL ClassicClassic
Cement grey
LRV 24

A 9-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.

Guilford Green
Guilford Green
Strawberry Red
Benjamin Moore
Strawberry Red
2003-20 · LRV 16

At LRV 57 vs 16, Guilford Green is decisively the brighter choice.