Sunny Days vs Banana Split
Sunny Days is a Benjamin Moore color while Banana Split comes from Dulux. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. At LRV 70 vs 64, Banana Split will read as the brighter of the two — a 6-point gap that matters most in north-facing or low-light rooms. The tonal difference — Sunny Days's red character against Banana Split's warm — becomes most visible against white trim or in morning light. With a ΔE of 1.1, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sunny Days vs Banana Split Simulated Comparison
5 simulated room previews — drag the slider on each to see Sunny Days on one side and Banana Split on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sunny Days comparisons
See how Sunny Days stacks up against other well-photographed colors across different brands and tones.
A 5-point LRV gap (69 vs 64) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 64), opening up a space where Sunny Days encloses it.
Sunny Days reflects far more light (LRV 64 vs 6), opening up a space where Iron Ore encloses it.
At LRV 64 vs 52, Sunny Days is decisively the brighter choice.
At LRV 64 vs 30, Sunny Days is decisively the brighter choice.
Sunny Days reflects far more light (LRV 64 vs 52), opening up a space where Mizzle encloses it.
A 4-point LRV gap (64 vs 60) makes Sunny Days the marginally brighter of the two.
Sunny Days reads slightly lighter (LRV 64 vs 58), a gap that shows most in low-lit rooms.
Sunny Days reflects far more light (LRV 64 vs 27), opening up a space where Denim Drift encloses it.
At LRV 64 vs 43, Sunny Days is decisively the brighter choice.
At LRV 64 vs 4, Sunny Days is decisively the brighter choice.
Sunny Days reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms.
Sunny Days reflects far more light (LRV 64 vs 13), opening up a space where Bancha encloses it.
Sunny Days reflects far more light (LRV 64 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 64, Pure White is decisively the brighter choice.
At LRV 64 vs 21, Sunny Days is decisively the brighter choice.
With LRVs of 66 and 64, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 64), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 64), opening up a space where Sunny Days encloses it.
At LRV 64 vs 51, Sunny Days is decisively the brighter choice.
Sunny Days reflects far more light (LRV 64 vs 12), opening up a space where Pewter Green encloses it.
Sunny Days reflects far more light (LRV 64 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
At LRV 64 vs 41, Sunny Days is decisively the brighter choice.
Sunny Days reflects far more light (LRV 64 vs 12), opening up a space where Vintage Vogue encloses it.
Sunny Days reflects far more light (LRV 64 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 64 vs 31, Sunny Days is decisively the brighter choice.