Super White vs French Gray
Super White is a Benjamin Moore color while French Gray comes from Farrow & Ball. Hue-wise, Super White belongs to the white family and French Gray to the beige-greige family. At LRV 89 vs 43, Super White will read as the brighter of the two — a 46-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 25.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Super White vs French Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Super White on one side and French Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Super White comparisons
See how Super White stacks up against other well-photographed colors across different brands and tones.
A 6-point LRV gap (89 vs 83) makes Super White the marginally brighter of the two.
Super White reflects far more light (LRV 89 vs 69), opening up a space where Ammonite encloses it.
At LRV 89 vs 6, Super White is decisively the brighter choice.
Super White reflects far more light (LRV 89 vs 52), opening up a space where Purbeck Stone encloses it.
Super White reflects far more light (LRV 89 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 89 vs 52, Super White is decisively the brighter choice.
Super White reflects far more light (LRV 89 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 89 vs 58, Super White is decisively the brighter choice.
At LRV 89 vs 27, Super White is decisively the brighter choice.
Super White reflects far more light (LRV 89 vs 4), opening up a space where Naval encloses it.
At LRV 89 vs 55, Super White is decisively the brighter choice.
At LRV 89 vs 13, Super White is decisively the brighter choice.
At LRV 89 vs 44, Super White is decisively the brighter choice.
Super White reads slightly lighter (LRV 89 vs 84), a gap that shows most in low-lit rooms.
Super White reflects far more light (LRV 89 vs 21), opening up a space where Artichoke encloses it.
At LRV 89 vs 66, Super White is decisively the brighter choice.
At LRV 89 vs 74, Super White is decisively the brighter choice.
A 6-point LRV gap (89 vs 83) makes Super White the marginally brighter of the two.
At LRV 89 vs 12, Super White is decisively the brighter choice.
At LRV 89 vs 68, Super White is decisively the brighter choice.
Super White reflects far more light (LRV 89 vs 41), opening up a space where Dix Blue encloses it.
Super White reflects far more light (LRV 89 vs 68), opening up a space where Calamine encloses it.
Super White reflects far more light (LRV 89 vs 25), opening up a space where Treron encloses it.
At LRV 89 vs 12, Super White is decisively the brighter choice.
At LRV 89 vs 45, Super White is decisively the brighter choice.
Super White reflects far more light (LRV 89 vs 31), opening up a space where Pale Green encloses it.
Super White reflects far more light (LRV 89 vs 7), opening up a space where Pine Needle encloses it.
Super White reflects far more light (LRV 89 vs 24), opening up a space where Cement grey encloses it.
Super White reflects far more light (LRV 89 vs 57), opening up a space where Guilford Green encloses it.
Super White reflects far more light (LRV 89 vs 72), opening up a space where Just Walnut encloses it.