Sweet Caroline vs Hicks' Blue
Where Sweet Caroline belongs to Benjamin Moore's range, Hicks' Blue is a Little Greene color. Sweet Caroline reads as yellow, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Sweet Caroline has an LRV of 66. Sweet Caroline runs yellow while Hicks' Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 56.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sweet Caroline vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sweet Caroline on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sweet Caroline comparisons
See how Sweet Caroline stacks up against other well-photographed colors across different brands and tones.

Their light reflectance is nearly identical (LRV 69 vs 66), so neither reads brighter in a room.

White Dove reflects far more light (LRV 83 vs 66), opening up a space where Sweet Caroline encloses it.

Sweet Caroline reflects far more light (LRV 66 vs 6), opening up a space where Iron Ore encloses it.

At LRV 66 vs 52, Sweet Caroline is decisively the brighter choice.

At LRV 66 vs 30, Sweet Caroline is decisively the brighter choice.

Sweet Caroline reflects far more light (LRV 66 vs 52), opening up a space where Mizzle encloses it.

A 6-point LRV gap (66 vs 60) makes Sweet Caroline the marginally brighter of the two.

Sweet Caroline reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.

Sweet Caroline reflects far more light (LRV 66 vs 27), opening up a space where Denim Drift encloses it.

At LRV 66 vs 43, Sweet Caroline is decisively the brighter choice.

At LRV 66 vs 4, Sweet Caroline is decisively the brighter choice.

Sweet Caroline reads slightly lighter (LRV 66 vs 55), a gap that shows most in low-lit rooms.

Sweet Caroline reflects far more light (LRV 66 vs 13), opening up a space where Bancha encloses it.

Sweet Caroline reflects far more light (LRV 66 vs 44), opening up a space where Hardwick White encloses it.

At LRV 84 vs 66, Pure White is decisively the brighter choice.

At LRV 66 vs 21, Sweet Caroline is decisively the brighter choice.

With LRVs of 66 and 66, the two reflect almost the same amount of light.

Shoji White reads slightly lighter (LRV 74 vs 66), a gap that shows most in low-lit rooms.

Snowbound reflects far more light (LRV 83 vs 66), opening up a space where Sweet Caroline encloses it.

At LRV 66 vs 51, Sweet Caroline is decisively the brighter choice.

Sweet Caroline reflects far more light (LRV 66 vs 12), opening up a space where Pewter Green encloses it.

Sweet Caroline reflects far more light (LRV 66 vs 8), opening up a space where Duck Green encloses it.

With LRVs of 68 and 66, the two reflect almost the same amount of light.

At LRV 66 vs 41, Sweet Caroline is decisively the brighter choice.

Sweet Caroline reflects far more light (LRV 66 vs 12), opening up a space where Vintage Vogue encloses it.

Sweet Caroline reflects far more light (LRV 66 vs 45), opening up a space where Saybrook Sage encloses it.

At LRV 66 vs 31, Sweet Caroline is decisively the brighter choice.

At LRV 66 vs 7, Sweet Caroline is decisively the brighter choice.












