Sweet Daphne vs Hicks' Blue
Where Sweet Daphne belongs to Benjamin Moore's range, Hicks' Blue is a Little Greene color. Hue-wise, Sweet Daphne belongs to the beige-yellow family and Hicks' Blue to the blue family. Sweet Daphne has an LRV of 50. Sweet Daphne runs yellow while Hicks' Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 58.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sweet Daphne vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sweet Daphne on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sweet Daphne comparisons
See how Sweet Daphne stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 50, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 50), opening up a space where Sweet Daphne encloses it.
Sweet Daphne reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.
Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.
At LRV 50 vs 30, Sweet Daphne is decisively the brighter choice.
With LRVs of 52 and 50, the two reflect almost the same amount of light.
A 10-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.
Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.
Sweet Daphne reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.
A 7-point LRV gap (50 vs 43) makes Sweet Daphne the marginally brighter of the two.
At LRV 50 vs 4, Sweet Daphne is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.
Sweet Daphne reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.
Sweet Daphne reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 50, Pure White is decisively the brighter choice.
At LRV 50 vs 21, Sweet Daphne is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where Sweet Daphne encloses it.
Shoji White reflects far more light (LRV 74 vs 50), opening up a space where Sweet Daphne encloses it.
Snowbound reflects far more light (LRV 83 vs 50), opening up a space where Sweet Daphne encloses it.
Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room.
Sweet Daphne reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.
Sweet Daphne reflects far more light (LRV 50 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where Sweet Daphne encloses it.
A 9-point LRV gap (50 vs 41) makes Sweet Daphne the marginally brighter of the two.
Sweet Daphne reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.
Sweet Daphne reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.
At LRV 50 vs 31, Sweet Daphne is decisively the brighter choice.
At LRV 50 vs 7, Sweet Daphne is decisively the brighter choice.