
Sweet Melon vs Golden Ivory
Where Sweet Melon belongs to Benjamin Moore's range, Golden Ivory is a Dulux color. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. Sweet Melon (LRV 69) reflects noticeably more light than Golden Ivory (LRV 63), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Sweet Melon runs red while Golden Ivory is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 5.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sweet Melon vs Golden Ivory Simulated Comparison
5 simulated room previews — drag the slider on each to see Sweet Melon on one side and Golden Ivory on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sweet Melon comparisons
See how Sweet Melon stacks up against other well-photographed colors across different brands and tones.

With LRVs of 69 and 69, the two reflect almost the same amount of light.

At LRV 83 vs 69, White Dove is decisively the brighter choice.

At LRV 69 vs 6, Sweet Melon is decisively the brighter choice.

Sweet Melon reflects far more light (LRV 69 vs 52), opening up a space where Purbeck Stone encloses it.

Sweet Melon reflects far more light (LRV 69 vs 30), opening up a space where Evergreen Fog encloses it.

At LRV 69 vs 52, Sweet Melon is decisively the brighter choice.

Sweet Melon reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.

A 12-point LRV gap (69 vs 58) makes Sweet Melon the marginally brighter of the two.

At LRV 69 vs 27, Sweet Melon is decisively the brighter choice.

Sweet Melon reflects far more light (LRV 69 vs 43), opening up a space where French Gray encloses it.

Sweet Melon reflects far more light (LRV 69 vs 4), opening up a space where Naval encloses it.

At LRV 69 vs 55, Sweet Melon is decisively the brighter choice.

At LRV 69 vs 13, Sweet Melon is decisively the brighter choice.

At LRV 69 vs 44, Sweet Melon is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 69), opening up a space where Sweet Melon encloses it.

Sweet Melon reflects far more light (LRV 69 vs 21), opening up a space where Artichoke encloses it.

A 4-point LRV gap (69 vs 66) makes Sweet Melon the marginally brighter of the two.

A 5-point LRV gap (74 vs 69) makes Shoji White the marginally brighter of the two.

At LRV 83 vs 69, Snowbound is decisively the brighter choice.

Sweet Melon reflects far more light (LRV 69 vs 51), opening up a space where Pigeon encloses it.

At LRV 69 vs 12, Sweet Melon is decisively the brighter choice.

At LRV 69 vs 8, Sweet Melon is decisively the brighter choice.

Their light reflectance is nearly identical (LRV 69 vs 68), so neither reads brighter in a room.

Sweet Melon reflects far more light (LRV 69 vs 41), opening up a space where Dix Blue encloses it.

At LRV 69 vs 12, Sweet Melon is decisively the brighter choice.

At LRV 69 vs 45, Sweet Melon is decisively the brighter choice.

Sweet Melon reflects far more light (LRV 69 vs 31), opening up a space where Pale Green encloses it.













