Sweet Spring vs Agreeable Gray
Sweet Spring (Benjamin Moore) and Agreeable Gray (Sherwin-Williams) come from different manufacturers. Hue-wise, Sweet Spring belongs to the beige-greige family and Agreeable Gray to the greige-grey family. The 3-point LRV gap — 63 for Sweet Spring vs 60 for Agreeable Gray — means Sweet Spring will open up a space more effectively. Where Sweet Spring leans yellow, Agreeable Gray reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 4.3 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sweet Spring vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Sweet Spring on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sweet Spring comparisons
See how Sweet Spring stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 63, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 6, Sweet Spring is decisively the brighter choice.
Sweet Spring reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Sweet Spring reflects far more light (LRV 63 vs 30), opening up a space where Evergreen Fog encloses it.
A 12-point LRV gap (63 vs 52) makes Sweet Spring the marginally brighter of the two.
A 6-point LRV gap (63 vs 58) makes Sweet Spring the marginally brighter of the two.
At LRV 63 vs 27, Sweet Spring is decisively the brighter choice.
Sweet Spring reflects far more light (LRV 63 vs 43), opening up a space where French Gray encloses it.
Sweet Spring reflects far more light (LRV 63 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (63 vs 55) makes Sweet Spring the marginally brighter of the two.
At LRV 63 vs 13, Sweet Spring is decisively the brighter choice.
At LRV 63 vs 44, Sweet Spring is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 63), opening up a space where Sweet Spring encloses it.
Sweet Spring reflects far more light (LRV 63 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 63), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 63) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 63, Snowbound is decisively the brighter choice.
At LRV 63 vs 12, Sweet Spring is decisively the brighter choice.
A 5-point LRV gap (68 vs 63) makes Skimming Stone the marginally brighter of the two.
Sweet Spring reflects far more light (LRV 63 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
Sweet Spring reflects far more light (LRV 63 vs 25), opening up a space where Treron encloses it.
At LRV 63 vs 12, Sweet Spring is decisively the brighter choice.
At LRV 63 vs 45, Sweet Spring is decisively the brighter choice.
Sweet Spring reflects far more light (LRV 63 vs 31), opening up a space where Pale Green encloses it.
Sweet Spring reflects far more light (LRV 63 vs 7), opening up a space where Pine Needle encloses it.
Sweet Spring reflects far more light (LRV 63 vs 24), opening up a space where Cement grey encloses it.
Sweet Spring reads slightly lighter (LRV 63 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 63), a gap that shows most in low-lit rooms.