Swept Away vs Mizzle
Swept Away (Benjamin Moore) and Mizzle (Farrow & Ball) come from different manufacturers. Swept Away reads as green, while Mizzle reads as grey — two distinct hue families, not close cousins. The 11-point LRV gap — 63 for Swept Away vs 52 for Mizzle — means Swept Away will open up a space more effectively. Where Swept Away leans green, Mizzle reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 8.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Swept Away vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Swept Away on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Swept Away comparisons
See how Swept Away stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 63, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 6, Swept Away is decisively the brighter choice.
Swept Away reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Swept Away reflects far more light (LRV 63 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 63 and 60, the two reflect almost the same amount of light.
A 5-point LRV gap (63 vs 58) makes Swept Away the marginally brighter of the two.
At LRV 63 vs 27, Swept Away is decisively the brighter choice.
Swept Away reflects far more light (LRV 63 vs 43), opening up a space where French Gray encloses it.
Swept Away reflects far more light (LRV 63 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (63 vs 55) makes Swept Away the marginally brighter of the two.
At LRV 63 vs 13, Swept Away is decisively the brighter choice.
At LRV 63 vs 44, Swept Away is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 63), opening up a space where Swept Away encloses it.
Swept Away reflects far more light (LRV 63 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 63), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 63) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 63, Snowbound is decisively the brighter choice.
At LRV 63 vs 12, Swept Away is decisively the brighter choice.
A 5-point LRV gap (68 vs 63) makes Skimming Stone the marginally brighter of the two.
Swept Away reflects far more light (LRV 63 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
Swept Away reflects far more light (LRV 63 vs 25), opening up a space where Treron encloses it.
At LRV 63 vs 12, Swept Away is decisively the brighter choice.
At LRV 63 vs 45, Swept Away is decisively the brighter choice.
Swept Away reflects far more light (LRV 63 vs 31), opening up a space where Pale Green encloses it.
Swept Away reflects far more light (LRV 63 vs 7), opening up a space where Pine Needle encloses it.
Swept Away reflects far more light (LRV 63 vs 24), opening up a space where Cement grey encloses it.
Swept Away reads slightly lighter (LRV 63 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 63), a gap that shows most in low-lit rooms.